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Psych and Philosophy
“I’m getting something,” says Shawn, assuming a look of intense concentration and pressing his fingertips to the sides of his head. Shawn Spencer uses lies, pretense, and distraction to get at the truth. But can pseudoscience and fakery really be so helpful? And if they can be, is it ethical to employ them? Psych and Philosophy takes an entertaining tour through the philosophical issues raised by a fake psychic. Can faulty logic get to the truth quicker than good logic? Are other people to blame for Shawn’s deceptions, because they’re more ready to credit him with supernatural powers than with superior natural powers? Is instinct more important than smart thinking—in police work and in life? Is it ethical to tell lies to promote the truth (and protect the public from criminals)? Almost every episode of Psych revolves around a grisly death, treated humorously by the repartee between Shawn and Gus. The show has much to tell us about human ways of coping with death, as well as about the problem of justified knowledge, the ethics of law enforcement, and the interaction of love, friendship, loyalty, and professionalism.
The Wire
A critical and insightful exploration of arguably the greatest television show of the twenty-first century. In the two decades since The Wire first aired, the show has only continued to grow in cultural relevance as America has seen domestic terrorism increase, race relations become ever tenser, political populism become increasingly sectarian, health inequalities worsen, incarceration rates for Black Americans skyrocket, and grassroots racial activism grow. In The Wire: A Cultural History, Ben Lamb explores how the twenty-first century’s greatest television show changed international perceptions of American policing, drug laws, and race relations forever, and instigated our obsessive stre...
Celebration
Essays on Food and Celebration from the 2011 Oxford Symposium on Food and Cookery. The 2011 meeting marked the thirtieth year of the Symposium.
Immemorial Silence
MacKendrick (philosophy, Le Moyne College) explores language and silence and their temporality and atemporality through works of philosophy, literature, and religion, where eternity and silence have long been matters of concern. Among the authors she considers are Maurice Blanchot, Georges Bataille, four poets, St. Augustine, and Meister Eckhart. Annotation copyrighted by Book News Inc., Portland, OR
New Television
Worlds on screen: the ontology of television series and/as the ontology of film -- Storytelling and worldhood: the screen and us -- "This America, man": tragic reconciliation, television, and The Wire -- The gangster, boredom, and family: Weeds, natality, and new television -- "Boyd and I dug coal together": Justified, moral perfectionism, and the United States of America -- Conclusion
Beyond Punishment?
In Beyond Punishment?, Zachary Hoskins offers a philosophical examination of the collateral legal consequences of conviction. Considering how pervasive collateral restrictions have become and the dramatic effects such restrictions have on offenders' lives, Hoskins examines whether these extended measures of punishment are ever morally justified.
Emotional Expressionism
In Emotional Expressionism: Television Seriality, the Melodramatic Mode, and Socioemotionality, E. Deidre Pribram examines emotions as social relations through the lens of dramatic television serials as contemporary melodrama. She develops the concept of socioemotionality, addressing sociocultural forms of felt experience and exploring the role of emotions in forging narrative worlds. Through detailed analyses of serials like Killing Eve, How to Get Away with Murder, and The Marvelous Mrs. Maisel, Pribram argues that the prominent role emotions play in popular mediated narratives demonstrates the crucial impact of collective emotions—activated through aesthetic attributes—on cultural storytelling. Scholars of television, communication, media, and cultural studies will find this book of particular relevance.
