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This collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century. Focusing on the interaction between tragedy and comedy, both renowned and emerging scholarly and creative voices from philosophy, theater, literature, and cultural studies come together to engage in dialogues that reconfigure genre as social, communal, and affective. In revisiting the challenges to aesthetic categorization over the course of the 20th century, this volume proposes a shift away from the prescriptive and hierarchical reading of genre to its crucial function in shaping thought and enabling shared experience and communication. In doing so, the various essays acknowledge the diverse contexts within which genre needs to be thought afresh: media studies, rhetoric, politics, performance, and philosophy.
"Zoo animals" as a population are a diverse array of species from all around the globe. When managed in captivity, it is important that key aspects of natural ecology are factored into animal care, as well as considerations relating to welfare, life history and behavioural needs. The Behavioural Biology of Zoo Animals is the first book on captive animal behaviour and how this applies to welfare. The book enables all aspects of zoo husbandry and management (nutrition, enclosure design, handling and training, enrichment, population management) to be based on a sound knowledge of the species, its evolutionary history and its natural history. Chapters from expert authors cover a vast range of ta...
This book proposes a new way to consider theatre and performance that claims a special relationship to reality, truth and authenticity. It documents innovations in devising and staging theatre and performance that takes reality as its subject, cultural shifts that have generated theatre of the real, some of its problems and some possibilities.
A lyrical literary memoir that explores the exhilarating, discomforting, and ultimately healing process of Polish-Jewish reconciliation taking place in Poland today “I’d grown up with the phrase ‘Never forget’ imprinted on my psyche. Its corollary was more elusive. Was it possible to remember—at least to recall—a world that existed before the calamity?” In the winter of 2000, Louise Steinman set out to attend an international Bearing Witness Retreat at Auschwitz-Birkenau at the invitation of her Zen rabbi, who felt the Poles had gotten a “bum rap.” A bum rap? Her own mother could not bear to utter the word “Poland,” a country, Steinman was taught, that allowed and perha...
Jerzy Grotowski’s Journeys to the East is an unusual collection of facts, quotations, and commentaries documenting the real and metaphorical journeys of the Polish theatre director and ‘teacher of performers’ into a geographical and cultural dimension which we used to and still call the Orient. Grotowski’s contacts and meetings with the East are placed here in the context of his biography. Painstakingly researched by Grotowski’s main biographer Zbigniew Osiński, this book is necessary reading for those interested in Grotowski’s deep relationship with the East and in the inspiration he drew from its various cultures. The book will appeal to all readers who feel a need to have a glimpse of the East from the perspective of one of the main theatre reformers in the twentieth century.
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This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past 30 years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering a broad and international picture of the directing landscape. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe following the end of the Cold War.
This wide-ranging handbook examines how critical discourses on gender intersect with key debates in the field of theatre studies.