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Conversations with Marco Polo is a biography of Eugene Haderlie, whose extraordinary life is deeply intertwined with the 20th century: a rough-and-tumble childhood in Wyoming during the Depression; an undergraduate expedition to Baja Mexico, where he crossed paths with John Steinbeck and had his inflamed appendix taken out by a veterinarian; two years as hard-hat diver in World War II, defusing mines in the English Channel and enduring the trauma of D-Day. The conversations recorded here are akin to reading about Marco Polo: tales of every-day life and adventure from a world we can never experience firsthand
Announcements for the following year included in some vols.
An account of the “brave men of the bomb disposal units who died disarming the weapons that Hitler hoped would save the Nazis from defeat” (Dover Express/Folkestone Herald). In 1944 the V-1s and V-2s, Hitler’s “vengeance” weapons, were regarded by the Allied leaders in London as the single greatest threat they had faced. It was feared that these flying bombs and rockets might turn the tide of war once again in Germany’s favor. Yet, little more than half of these missiles hit their targets, some failing to explode. Their wreckage lay across the southern half of England or in Europe, with contents liable to sudden and deadly ignition. It was the job of specialist Bomb Disposal team...
This whopping big McFarland Classic brings together 43 interviews with horror and science fiction movie writers, producers, directors and the men and women who saved the planet from aliens, behemoths, robots, zombies, and other sinister, stumbling threats--in the movies, at least. The interviewees reminisce about some of their great (and not so great!) films and tell their stories. This classic volume represents the union of two previous volumes: 1994's Attack of the Monster Movie Makers ("anecdotes are frank and revealing"--Video Watchdog); and 1995's They Fought in the Creature Features ("a fun book for all SF film enthusiasts"--Interzone). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences howl and squeal (though fear has long been replaced with sweet nostalgia).
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As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.