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No Choice But Freedom
Joanna Turnbull's marriage to Talbot Showcroft is foundering in the wake of his emigration to the colonies, leaving her and their baby son in the care of her dictatorial father who encumbered her marriage with an unusual nuptial agreement. Her best friend Katie has been disowned by her father for taking up with a fugitive Scot fleeing the aftermath of the battle of Culloden. Joanna resolves the issues by moving to the Colonies, taking Katie and her husband with her. The book's title is appropriate. As the plot wraps around the issues of loyalty to family and personal principles, each of the characters faces his or her own choices of depravity or virtue, slavery or freedom.
What a Bride Wants
What a bride wants…Ella Grace Emerson adores her father, but he keeps trying to marry her off to every eligible rancher in Montana. When he puts an ad in the paper on her behalf – for a docile house-husband – Ella retaliates with one of her own, pinned to the noticeboard of the local saloon. No husband required, housebroken or otherwise. What she wants is the perfect lover. What a bride needs…Newcomer Cam Sawyer is perfectly willing to tear up the sheets with Ella and be her partner in chaos. She wants a bad boy and he’s had experience aplenty. But what she really needs is a strong and loving partner, and until Sawyer stops running from his past he can never be that. Sawyer’s the one Ella wants. But can he be the man she needs?
Talion
Against the backdrop of fifteenth century England, Karen Stokes has spun an uninhibited novel of a sociopathic young woman. It is the story of Darkess. A twin disowned at birth by her father, a wealthy knight. Spirited away as an infant to be raised by peasants she has a loveless and abusive childhood. When grown she seeks revenge and suffers betrayal and deceit. Vowing to regain her position and all the wealth owing she uses the skill of a witch and cunning deception. Aided by a secret passage and stalked by an apparition, Darkess desperately seeks to claim her birthright.
Emerald Sea, Second Edition
Now with all new content by John Ringo! The Battle Against Those Determined to Rule the World¾or Destroy It¾Continues In the future the world was a paradise¾and then, in a moment, it ended. The council that controlled the Net fell out and went to war, while people who had never known a moment of want or pain were left wondering how to survive. Duke Edmund Talbot has been assigned a simple mission: Go to the Southern Isles and make contact with the scattered mer-folk¾those who, before the worldwide collapse of technology, had altered their bodies in the shape of mythical sea-dwelling creatures. He must convince them to side with the Freedom Coalition in the battles against the fascist dic...
The Works of Thomas Carlyle
Thomas Carlyle (1795-1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding literary success with his ground-breaking history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 25 contains his biography of Friedrich Schiller.
Visualising Britain’s Holy Land in the Nineteenth Century
This book demonstrates the complexity of nineteenth-century Britain’s engagement with Palestine and its surrounds through the conceptual framing of the region as the Holy Land. British engagement with the region of the Near East in the nineteenth century was multi-faceted, and part of its complexity was exemplified in the powerful relationship between developing and diverse Protestant theologies, visual culture and imperial identity. Britain’s Holy Land was visualised through pictorial representation which helped Christians to imagine the land in which familiar Bible stories took place. This book explores ways in which the geopolitical Holy Land was understood as embodying biblical land, biblical history and biblical typology. Through case studies of three British artists, David Roberts, David Wilkie and William Holman Hunt, this book provides a nuanced interpretation of some of the motivations, religious perspectives, attitudes and behaviours of British Protestants in their relationship with the Near East at the time.
