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After reading this collection, you will never look at mothers -- at the playground, at the elementary school, or across the kitchen table -- in quite the same way again. Beginning with a poem of pregnancy, written by her twenty-five year old self, Joanne Arnott leads us through a span of twenty years of inward- and outward-facing struggles, centred firmly in the ongoing work of becoming a mother. Living on the thresholds between races -- the poet is a prairie-born Mé tis -- and between the generations, Arnott articulates the challenges of mothering in heart, body, and mind. Her work involves sometimes abstract, sometimes visceral long and short poems, song and chant. Through visiting and revisiting pregnancy, childbirth, lullabies, and multi-generational rage, the poetry moves from the desperation of survival through to a tender place of clarity. The sexual, the spiritual, and the sociological weave together here to shock, cajole, and ultimately to transform our picture of the inner life of the mother.
Poetry. Native American Studies. A NIGHT FOR THE LADY explores the terrain of poetry conversation. Each poem arises from conversations with poets, colleagues and intimate friends. They range from a 1998 conversation on healing programs and the fundamentals of world change to a sequence of recent indigenous literary events on the prairies. Within the context of these conversations, an exploration emerges of the roles of woman within local as well as historic literary and global situations. The poems draw together diverse figures from world literature, world religions and myths to lay open the experience of human beings within the "brown-feminine." Identifying and synthesizing connections across a wide palette of human experience, this collection challenges the divisions of personal and global, indigenous and "everyone else," all the while celebrating both the humanity and the divinity of the Lady. Playful, erotic and occasionally harrowing, this collection bundles together experimental and inspirational work from a longstanding voice of conscience in Canadian letters. Once again, Arnott carries us into the most intimate terrain, casts her net widely, catches us up.
This anthology of Aboriginal writings from Manitoba takes readers back through the millennia and forward to the present day, painting a dynamic picture of a territory interconnected through words, ideas, and experiences. A rich collection of stories, poetry, nonfiction, and speeches, it features: Historical writings, from important figures. Vibrant literary writing by eminent Aboriginal writers. Nonfiction and political writing from contemporary Aboriginal leaders. Local storytellers and keepers of knowledge from far-reaching Manitoba communities. New, vibrant voices that express the modern Aboriginal experiences. Anishinaabe, Cree, Dene, Inuit, M tis, and Sioux writers from Manitoba. Created in the spirit of the Anishinaabe concept debwe (to speak the truth), The Debwe Series is a collection of exceptional Aboriginal writing from across Canada. Manitowapow, a one-of-a-kind anthology, is the first book in The Debwe Series. Manitowapow is the traditional name that became Manitoba, a word that describes the sounds of beauty and power that created the province.
Writing is intellectual, solitary work, and mothering too often seen as its antithesis. Marni Jackson's The Mother Zone, published in 1992, gave many readers their first insights into the life of a mother/writer. Yet despite having writers such as Adrienne Rich, Alice Munro, Tillie Olsen and Margaret Laurence to guide and inspire them, mothers who are writers still often feel overwhelmed - even in the 21st century, a writer new to mothering may wonder if she will ever write again. In Double Lives, the first literary anthology focusing on mothering and writing, twenty-two writers, who range in reputation from seasoned professionals to noteworthy new talents, reveal the intimate challenges and private rewards of nurturing children while pursuing the passion to write. Varying widely in age, marital status, sexual orientation, culture/ethnicity, and philosophical stance, authors such as Di Brandt, Stephanie Bolster, Linda Spalding, Janice Kulyk Keefer, Sharron Proulx-Turner, Sally Ito Rachel Rose and Susan Olding, make significant and illuminating contributions to our understanding of how writer and mother co-exist.
Indigenous Poetics in Canada broadens the way in which Indigenous poetry is examined, studied, and discussed in Canada. Breaking from the parameters of traditional English literature studies, this volume embraces a wider sense of poetics, including Indigenous oralities, languages, and understandings of place. Featuring work by academics and poets, the book examines four elements of Indigenous poetics. First, it explores the poetics of memory: collective memory, the persistence of Indigenous poetic consciousness, and the relationships that enable the Indigenous storytelling process. The book then explores the poetics of performance: Indigenous poetics exist both in written form and in relation to an audience. Third, in an examination of the poetics of place and space, the book considers contemporary Indigenous poetry and classical Indigenous narratives. Finally, in a section on the poetics of medicine, contributors articulate the healing and restorative power of Indigenous poetry and narratives.
A Book of South & North American Writers,A-Z By CountryPublished on June 10, 2014 in USA
Native Poetry in Canada: A Contemporary Anthology is the only collection of its kind. It brings together the poetry of many authors whose work has not previously been published in book form alongside that of critically-acclaimed poets, thus offering a record of Native cultural revival as it emerged through poetry from the 1960s to the present. The poets included here adapt English oratory and, above all, a sense of play. Native Poetry in Canada suggests both a history of struggle to be heard and the wealth of Native cultures in Canada today.
This book brings together theory and praxis, so that feminist discourse interacts as a partner with the lived experience of women's social action. The selections combine classics in feminist thought with work from modern theorists and offer a solid foundation in international feminism. The conceptual understanding embedded in the terms 'feminism' and 'womanism' contributes to feminist discourse, a carefully differentiated focus on the ideological uses of language to define relationships that have been historically mired in domination. The terms also define the way gender often has been used to signify and support domination. Given that feminism and womanism are interpretative concepts, there...
Northern Wildflower is the beautifully written and powerful memoir of Catherine Lafferty. With startling honesty and a distinct voice, Lafferty tells her story of being a Dene woman growing up in Canada’s North and her struggles with intergenerational trauma, discrimination, poverty, addiction, love, and loss. Focusing on the importance of family ties, education, spiritualism, cultural identity, health, happiness, and the courage to speak the truth, Lafferty’s words bring cultural awareness and relativity to Indigenous and non-Indigenous readers alike, giving insight into the real issues many Indigenous women face and dispelling misconceptions about what life in the North is like.
A warning, a movement, a collection borne of protest. In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions – government, education, industry, and media – with the power to do something about it. Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical. This is a call to climate-justice action. Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia Proceeds will be donated to RAVEN and Climate Justice Toronto.