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The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style. In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepe...
With an introduction providing information about the cultural history of the Cornish, this narrative traces the Cornish emigrant experience from the failure of the mines in Cornwall, their hopes to preserve Cornish traditions in America, and then finally the acceptance of a future in America.
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Marilyn Ann Moss’s Giant examines the life of one of the most influential directors to work in Hollywood from the 1930s to the 1960s. George Stevens directed such popular and significant films as Shane, Giant, A Place in the Sun, and The Diary of Anne Frank. He was the first to pair Katharine Hepburn and Spencer Tracy on film in Woman of the Year. Through the study of Stevens’s life and his production history, Moss also presents a glimpse of the workings of the classic Hollywood studio system in its glory days. Moss documents Stevens’s role as a powerful director who often had to battle the heads of major studios to get his films made his way. She traces the four decades Stevens was a major Hollywood player and icon, from his earliest days at the Hal Roach Studios—where he learned to be a cameraman, writer, and director for Laurel and Hardy features—up to when his films made millions at the box office and were graced by actors such as Elizabeth Taylor, James Dean, Alan Ladd, and Montgomery Clift.
Diminutive Mickey Rooney has been in show business for more than 80 years as actor, producer, writer, composer, and director. His still-active career spans vaudeville, radio, television, the stage, and movies such as It's a Mad Mad Mad Mad World, The Black Stallion, and The Bridges at Toko-Ri. He won two Golden Globes and an Emmy and has received or been nominated for many other awards. From leading a 17-piece band to writing a novel, Rooney has been dispensing earthy wisdom and good humor in the public eye for many decades. Part biography and part reference tool, this richly illustrated work covers Rooney's life from his birth in 1920 and first stage appearance 16 months later to his television and film appearances in 2004. It discusses both his professional and personal life and includes information drawn from interviews with his peers, including Spring Byington, Jackie Cooper, and Ann Rutherford. Five appendices conclude the work: a detailed filmography of his more than 170 features and 65 shorts, each listing credits and a brief commentary, plus assorted reviews; listings of all his radio, television, and stage work; and a discography of his recorded work.
Dayton's history begins with Nevada's first gold discovery in July 1849. It started with a California-bound pack train, led by trail guide Abner Blackburn, setting up camp at the mouth of a canyon that drained into the Carson River. While waiting for the snow to melt in the Sierra, Blackburn went prospecting and dug gold from the creek bed. The news of his discovery spread, and prospectors rushed to the site they called Gold Cañon--today's Dayton. In May 1851, diarist Lucena Pfuffer Parsons, traveling with a wagon train, camped at the site and reported about 200 miners living in the canyon. She noted that they were finding enough gold to trade for supplies. In 1859, after working their way up the canyon, miners discovered a large silver and gold deposit known as the Comstock Lode. This discovery led Nevada to statehood in 1864.