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A century ago, the idea of 'the economy' didn't exist. Now economics is the supreme ideology of our time, with its own rules and language. The trouble is, most of us can't speak it. This is damaging democracy. Dangerous agendas are hidden inside mathematical wrappers; controversial policies are presented as 'proven' by the models of economic 'science'. Government is being turned over to a publicly unaccountable technocratic elite. The Econocracy reveals that economics is too important to be left to the economists - and shows us how we can begin to participate more fully in the decisions which affect all our futures.
This title celebrates contemporary Japanese bamboo masters whose imaginative new works are changing the definition of basketry.
Reclaiming economics for future generations argues that to build economies which serve people and the planet we need a diverse and decolonised curriculum. How does the global economy currently fail people and the planet, and why has mainstream economics knowledge inadequately addressed the pressing issues of today?
Serizawa Keisuke (1895-1984) was one of the greatest artists of 20th-century Japan. This book presents Serizawa's artistic biography in detail using the finest examples of his work from leading Japanese collections.
Originally published for the opening of the Toshiba Gallery of Japanese art at the Victoria & Albert Museum, this book celebrates and sets in context many of its greatest treasures. The Musuem's superb Japanese holdings, acquired over a period of one hundred and fifty years, started with the international exhibitions of the second half of the nineteenth century and the great private collections formed in Britain at the beginning of the twentieth. More recently they have been extended by the purchase of major pieces including exciting contemporary works by leading artists. The result is an unrivalled panorama of Japan's achievements in art and design from the earliest times, with particular emphasis on ceramics, lacquer, textiles, prints and metalwork of the last four centuries.
Today’s economies fail to recognise that we are in a rapidly worsening crisis, reproducing and often worsening vast and harmful inequalities between people and countries. The current models are unsustainable, and at a time when global temperatures are rising and divides are deepening, humanity is left in a rapidly worsening situation of its own making, the destruction of the living world, which will make large parts of the earth uninhabitable. Without access to the knowledge, skills or tools to build a better future, local, national and global economies will continue to fail to address the interlinked challenges of systemic racism, inequalities faced by women, the Covid-19 pandemic and the...
Essay by Joe Earle.
Japan is a world leader in fibre arts, with practitioners whose deep understanding of inherited materials and techniques has given them freedom to move beyond traditional utility to create innovative and beautiful works of art. This book features some 25 artists, from seasoned veterans to relative newcomers.
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As the "soul of the samurai," the sword is famously both the symbol and instrument of Japanese military prowess. Less known, at least in the west, is its role as a fashion accessory or status symbol. More than the weapon itself, it was the sword's metal fittings--from the hand guard to the small decorative plates on the hilt--that reflected the complexities of samurai life. Some fittings were meant to convey the honor and self-control expected of a samurai, while other, more flamboyant fittings reflected the samurai's leisure-time persona as "man about town." Later, when the wearing of swords spread beyond the samurai class, both the decorative function of the fittings and the variety of the...