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Hollywood Animal
He spent his earliest years in post WWII-refugee camps. He came to America and grew up in Cleveland--stealing cars, rolling drunks, battling priests, nearly going to jail. He became the screenwriter of the worldwide hits "Basic Instinct, "Jagged Edge, and "Flashdance. He also wrote the legendary disasters "Showgirls and "Jade." The rebellion never ended, even as his films went on to gross more than a billion dollars at the box office and he became the most famous--or infamous--screenwriter in Hollywood. Joe Eszterhas is a complex and paradoxical figure: part outlaw and outsider combined with equal parts romantic and moralist. More than one person has called him "the devil." He has been refer...
Hollywood Animal
He spent his earliest years in post-World War Two refugee camps. He came to America and grew up in Cleveland - stealing cars, rolling drinks, battling priests, nearly going to jail. He became the screenwriter of the world-wide hits Basic Instinct, Jagged Edge and Flashdance. He also wrote the legendary disasters Showgirls and Jade. The rebellion never ended, even as his films went on to gross more than a billion dollars at the box office and he became the most famous - or infamous - screenwriter in Hollywood.
F.I.S.T.
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The Devil's Guide to Hollywood
Joe Eszterhas has written some of Hollywood's biggest hits 'Basic Instinct'; 'Flashdance' and walked away with some of the largest writing cheques in the industry's history. In 'The Devil s Guide to Hollywood' he reveals everything he knows about the movies the players, the personalities, the legends and screenwriting itself, revealing all that has inspired, amused and enraged him in Hollywood since his career began. Hilarious, colourful but also practical, this is required reading for anyone who s ever thought of writing for the screen, and for anyone who wants the inside story on the organised insanity of the movie business.
Sticky Fingers
You’ve heard the controversy, now read the book: Sticky Fingers is Joe Hagan’s pulsing account of 50 years of rock’n’roll excess from Jann Wenner, founder of Rolling Stone magazine and one of the best-connected men of the twentieth century. Featuring exclusive interviews with Mick Jagger, Bruce Springsteen, Paul McCartney, Yoko Ono, Tom Wolfe, Bette Midler and many more, Hagan’s book captures the spirit of the age and paints an unforgettable portrait of one of the most significant cultural forces of our time.
Basic Instinct
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It Doesn't Suck
What's celebrated as the "worst movie ever," film writer Adam Nayman explores the 1995 Paul Verhoeven film that won the Razzie and perhaps ended its star's career. He argues that Showgirls is not so bad it's good, it's so good it's mistaken for bad.
Crossbearer
With wit, intelligence, and a complete willingness to bare even the toughest details of his own life, famous Hollywood screenwriter Eszterhas has written a fresh exploration of faith, a reassessment of organized religion, and a moving personal story about family and love.
The Erotic Thriller in Contemporary Cinema
This bold and original book examines in detail a relatively new genre of film--the erotic thriller. Linda Ruth Williams traces the genre's exploitation of pornography and noir, discusses mainstream stars (including Michael Douglas and Sharon Stone) as well as genre-branded direct-to-video stars, charts the work of key producers and directors, and considers home videos as a distinct form of viewing pleasure. She maps the history of the genre, analyzing hundreds of movies from blockbusters such as Basic Instinct, Fatal Attraction, and In the Cut to straight-to-video film titles such as Carnal Crimes, Sins of Desire, and Night Eyes. Williams's witty and illuminating readings tell the story of this sensational genre and contribute to the analysis of mainstream screen sex--and its censorship--at the beginning of the 21st century. She shows that as the erotic thriller plays out the sexual fantasies of contemporary America, it also provides a vehicle for marketing those fantasies globally.
Quentin Tarantino
Not since Martin Scorsese in the mid-1970s has a young American filmmaker made such an instant impact on international cinema as Quentin Tarantino, whose PULP FICTION won the Cannes Film Festival's Grand Prix Award. A manic talker, Tarantino obsesses about American pop culture and his favorite movies and movie makers.
