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General Register
  • Language: en
  • Pages: 1098

General Register

  • Type: Book
  • -
  • Published: 1931
  • -
  • Publisher: Unknown

Announcements for the following year included in some vols.

Quarterly Review
  • Language: en
  • Pages: 404

Quarterly Review

Includes section: "Some Michigan books."

Jurgen
  • Language: en
  • Pages: 402

Jurgen

Witty, compelling fantasy recounts a time-traveler's adventures through a supernatural dreamscape, his romances with famous women, and his confrontations with God and the Devil. Thirteen full-page illustrations by Frank C. Papé.

Register of Commissioned and Warrant Officers of the United States Navy and Reserve Officers on Active Duty
  • Language: en
  • Pages: 1156
Regents' Proceedings
  • Language: en
  • Pages: 1872

Regents' Proceedings

  • Type: Book
  • -
  • Published: 1963
  • -
  • Publisher: Unknown

None

Register of Retired Commissioned and Warrant Officers, Regular and Reserve, of the United States Navy
  • Language: en
  • Pages: 1040
Catalog of Copyright Entries
  • Language: en
  • Pages: 798

Catalog of Copyright Entries

  • Type: Book
  • -
  • Published: 1968
  • -
  • Publisher: Unknown

None

University of Michigan Official Publication
  • Language: en
  • Pages: 1318

University of Michigan Official Publication

None

Catalogue of the University of Michigan
  • Language: en
  • Pages: 1376

Catalogue of the University of Michigan

  • Type: Book
  • -
  • Published: 1946
  • -
  • Publisher: Unknown

Announcements for the following year included in some vols.

Ben Jonson's London
  • Language: en
  • Pages: 226

Ben Jonson's London

Ben Jonson was a Londoner. He lived there from infancy, left for only brief periods of travel, and used various locales in or near London as the settings for eleven of his seventeen plays. Ben Jonson's London opens with a discussion of the purpose, scope, and success of Jonson's use of London settings as Placenames. Chalfant demonstrates that Ben Jonson brought the same judicious, erudite, and dramatically functional insight to his handling of London topography-from overall settings to very brief mentions-as he did to his well-known use of classical, mythological, and iconographical detail.