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GENERAL & LITERARY FICTION. Barbara is a Faroese Moll Flanders, a woman of insatiable sexual desire which leads her from one man to another in search of sexual gratification. There is a highly successful Danish feature film of the novel. Jorgen-Frantz Jacobsen's novel combines the action of an old Faroese ballad about a woman who led three clergymen husbands to their destruction and the author's own experience of a woman with whom he was in love, but who proved elusive in the manner of the fictitious Barbara. The novel was unfinished when Jacobsen died, and it was left to, his friend and fellow author, William Heinesen to tie up a small number of loose ends.
Originally written in Danish, Barbara was the only novel written by the Faroese author Jorgen-Frantz Jacobsen (1900-38). On the face of it, Barbara is a straightforward historical romance: it contains a story of passion in an exotic setting with overtones of semi-piracy; there is a powerful erotic element, an outsider who breaks up a marriage, and a built-in inevitability resulting from Barbara's own psychological make-up. She stands as one of the most complex female characters in modem Scandinavian literature: beautiful, passionate, devoted, amoral, and uncomprehending of her own tragedy. Jorgen-Frantz Jacobsen portrays her with fascinated devotion.
Notes and references:p.125-32.
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William Heinesen og Jørgen-Frantz Jacobsen er to af Færøernes største digtere. Bjarne Nielsen Brovst, der havde et nært venskab med William Heinesen, fortæller her om de to digtere og om den kvinde, der inspirerede til kærlighedsromanen "Barbara". Bjarne Nielsen Brovst (f. 1947) er en dansk forfatter og foredragsholder, der i 1970 debuterede mede "Mit hjertes have". Sidenhen har Bjarne Nielsen Brovst skrevet et utal af bøger inden for genrerne digte, noveller, romaner, selvbiografi og bøger om historie. Bjarne Nielsen Brovst har skrevet en lang række biografier om kendte danske forfattere heriblandt H.C. Andersen, N.F.S. Grundtvig og Jeppe Aakjær.
The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.” The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, Wh...