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A Kind of a Huh
"Nico Dockx is a visual artist, researcher, and author of artists' publications. Johan Pas is an art historian, curator and collector of artists' publications. Both work at the Royal Academy of Fine Arts Antwerp." -- Back cover.
Daniël Dewaele
Since the mid-70s, Daniel Dewaele (Knokke, 1950) has followed a consistent course comprising numerous socially-engaged and -inspired art projects. On the basis of descriptions and illustrations of 43 projects, Daniel Dewaele, Selected Projects provides an almost complete survey of his work. Which makes this publication the standard work on this artist. In addition, the book offers a thorough insight into the conceptual tendencies that presented themselves in art as from the mid-70s. This unique book was created in close cooperation with the artist and appears on the occasion of an exhibition of the same name at Be-Part, Platform for Contemporary Art, in Waregem. The authors, Johan Pas and Pascal Gielen, each interpret the artist's oeuvre on the basis of their own background, an artist who has always continued to ask how social participation could be achieved from an artistic position which by definition lies on the fringes of society.
Guillaume Bijl. Multiples & Editions
David Vermeiren, Johan Pas
And/as
In celebration of its rich history in the arts and design community, the 350-year-old Royal Academy of Fine Arts in Antwerp undertook assembling a five-year overview of its arts research programs. In both text and image, And/As reflects on what research in the arts means for the artist, for art education and for the art world.
Artists' Publications
"This is the first book completely dedicated to books and magazines by Belgian artists and art publishers. The focus of the study is on artists' publications from the 1950s to now, but it also covers avant-garde books and magazines of the late 19th and early 20th century."--
Fred Bervoets
The first complete overview of Bervoets' unique pictorial graphic works, from 1990 until present.
Concepts on the Move
In order to give an impetus to the production of an apparatus of aesthetic concepts, in line with Deleuze and Guattari’s claim to create new concepts for a changing world, this volume publishes statements and discussions of ten Concept on the Move workshops, as well as texts and discussions of the concluding Concept on the Move symposium. The integral outcome of the workshops, the symposium and the discussions does not, however, present some sort of blueprint for the future of visual art and aesthetics. If one wished to designate the Concepts on the Move publication in one notion at all that definitively could only be TOOLKIT. A TOOKIT in the sense of a great collection of ideas, topics, issues, notions, and concepts emerging in the 21st-century world of visual art and theory. They indeed could serve as an impetus for the construction and production of a body of theoretical work fit to understand today’s technological, theoretical, and artistic developments in the art world. Are concepts on the move? Yes, they are, and they always will be on the great journey visual art takes them.
Ines Cox
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