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Epica Book 23: Europe's Best Advertising
All the gold, silver, and bronze winners are in the Epica Book, together witha good selection of other high-scoring entries. This volume includes articlesby Lewis Blackwell and Mark Tungate, author of "Adland," who also contributesthe creative synopses.
The Gothic and Twenty-First-Century American Popular Culture
The Gothic and Twenty-First-Century American Popular Culture examines the gothic mode deployed in a variety of texts that touch upon inherently US American themes, demonstrating its versatility and ubiquity across genres and popular media. The volume is divided into four main thematic sections, spanning representations related to ethnic minorities, bodily monstrosity, environmental anxieties, and haunted technology. The chapters explore both overtly gothic texts and pop culture artifacts that, despite not being widely considered strictly so, rely on gothic strategies and narrative devices.
Introduction to The Last of Us (TV series)
The Last of Us is an upcoming TV series adaptation of the popular video game, developed by Naughty Dog and published by Sony Computer Entertainment. The game was released in 2013 and quickly gained a strong following for its narrative, characters, and gameplay. It takes place in a post-apocalyptic world where humanity has been decimated by a fungal outbreak that turns people into zombie-like creatures. The story follows Joel, a smuggler, and Ellie, a teenage girl, as they journey across the United States in search of safety. The TV series will be produced by HBO, with Neil Druckmann, who was the writer and creative director of the game, serving as one of the executive producers. Craig Mazin, who wrote and produced the critically acclaimed Chernobyl, will be the showrunner. The series is highly anticipated by fans of the game, who are eager to see how the story and characters will be adapted for television. So far, there is no release date for the series, but it is expected to premiere sometime in 2022.
The Never-Ending Present
The long-awaited, first-ever print biography of “Canada’s band” “A clever, touching, and very informative book that may well be the definitive work on an important piece of Canadian pop culture.” — Publishers Weekly, starred review In the summer of 2016, more than a third of Canadians tuned in to watch the Tragically Hip’s final performance. Why? Partially because Gord Downie’s terminal brain cancer made the event much bigger than merely a musical occasion. But also because these five men were always more than just a chart-topping band. They defined a generation of Canadian rock music. They were a tabula rasa onto which fans could project their own ideas: of performance, of p...
Wyndham Lewis and British Art Rock
This study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers.
The New Cinematic Weird
The New Cinematic Weird argues that weird fiction is rising also in audiovisual culture. Presenting several detailed analyses of weird cinematic works, the book shows how the new cinematic weird is best understood as atmospheric worldings — affective intensities that suffuse the experience of the cinematic weird. The weird exists as an experiential field, an inflation of the world. These worldings disclose a variety of experiences. The book engagingly shows how creepy, unsettling, ominous, uneasy, and eerie atmospheres provide a way into the weird experience. This book is important to anyone interested in the audiovisual weird, cinematic atmospheres, how audiovisual media produce worlds, and how weird fiction challenges our conception of the way the world is.
The Interior Landscapes of Breaking Bad
Already acknowledged by Metacritic and the Guinness World Records as the highest-rated series in the history of television, Breaking Bad has elicited an unprecedented amount of criticism. Writers both popular and academic, columnists as well as eager commenters, have addressed every imaginable topic, from the show’s characterization and major scenes, to fine details such as Walt’s knack for picking up habits from those he kills, and the symbolism inherent within the cars that characters own. This book considers another perspective, one relatively unexplored to date. By considering the series from the perspective of its interior spaces, two possibilities emerge. Firstly, the spaces become...
Vikings and the Vikings
This essay collection is a wide-ranging exploration of Vikings, the television series that has successfully summoned the historical world of the Norse people for modern audiences to enjoy. From a range of critical viewpoints, these all fresh essays explore the ways in which past and present representations of the Vikings converge in the show's richly textured dramatization of the rise and fall of Ragnar Loobrok--and the exploits of his heirs--creating what many viewers label a "true" representation of the age. From the show's sources in both saga literature and Victorian revival, to its engagement with contemporary concerns regarding gender, race and identity, via setting, sex, society and more, this first book-length study of the History Channel series appeals to fans of the show, Viking enthusiasts, and anyone with an interest in medievalist representation in the 21st century.
Framing the Apocalypse
Different aspects of the apocalypse have been researched for centuries, some from an ecclesiastical point of view, others focusing on moral issues. Still others have specialised in investigating the philosophical implications of the apocalypse which are relevant in all religions. The idea of the ultimate victory of good over evil and the beginning of the after-life, either in heaven or in hell, has become a cultural phenomenon which has already left its initially exclusively religious constraints. With this in mind the focus here is to discover how the apocalypse’s triumph can be witnessed in the arts, literature, music, and most recently, film, TV, and digital media thereby enabling a holistic view of what the Apocalypse means in contemporary terms. What we read here is the very essence of Apocalypse as a cultural phenomenon, something which reveals, which uncovers and allows us to see a new aspect or dimension.
