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"Lienhard has provided an unusually full account of his early life. The book contains fifty-one chapters, with each chapter featuring one or more life-shaping incidents for this pioneer who would successfully cross the Rocky Mountains at the same time the Donner party, taking a different and more obvious route, perished."--BOOK JACKET.
This book, a revision of the author's dissertation, describes the grounds on which knowledge about God is possible according to the Gospel of John. In response to modern questions and doubts about the possibility of religious knowledge, John's answers are identified and illuminated using standard historical method. A major part of this investigation is spent showing that, for readers of all persuasions, it is clear that certain parts of John's Gospel were never intended as either fiction or metaphor. From these parts, the basis on which John thinks that people can have religious knowledge is inferred and described.
Publisher Description
More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten begin...
Contains a number of valuable insights. The introductory material on Johannine criticism is some of the clearest exposition for students available anywhere.