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Goethe Yearbook 17
New articles on topics spanning the Age of Goethe, with a special section of fresh views of Goethe's Faust.
Women Peasant Poets in Eighteenth-century England, Scotland, and Germany
Table of contents
A Systems Theory of Religion
A Systems Theory of Religion, still unfinished at Niklas Luhmann's death in 1998, was first published in German two years later thanks to the editorial work of André Kieserling. One of Luhmann's most important projects, it exemplifies his later work while redefining the subject matter of the sociology of religion. Religion, for Luhmann, is one of the many functionally differentiated social systems that make up modern society. All such subsystems consist entirely of communications and all are "autopoietic," which is to say, self-organizing and self-generating. Here, Luhmann explains how religion provides a code for coping with the complexity, opacity, and uncontrollability of our world. Reli...
History of European Drama and Theatre
This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre * Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière * the Italian commedia dell'arte and its transformations into eighteenth-century drama * the German Enlightenment - Lessing, Schiller, Goethe, and Lenz * romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy * the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski * the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller. Anyone interested in theatre throughout history and today will find this an invaluable source of information.
Space to Act
Essays on 18th-century Sturm und Drang playwright J.M.R. Lenz, whose work shows many parallels with 20th-century theater. The essays collected in this volume constitute the first collection in English on the German writer Lenz (1751-1792). They grew out of the International J.M.R. Lenz Symposium organized by Professor Madland and held in October 1991at the University of Oklahoma. Jakob Michael Reinhold Lenz, a writer whose work has received increasing attention lately for its prefiguration of the theater of our own century, emerges in these articles written by prominent Germanists and literary critics as a man ahead of his times, bedeviled by the neuroses of modernity. At the beginning of hi...
The Aesthetics of Kinship
The Aesthetics of Kinship intervenes critically into rigidified discourses about the emergence of the nuclear family and the corresponding interior subject in the eighteenth century. By focusing on kinship constellations instead of “family plots” in seminal literary works of the period, this book presents an alternative view of the eighteenth-century literary social world and its concomitant ideologies. Whereas Enlightenment and post-Enlightenment philosophy and political theory posit the nuclear family as a microcosm for the ideal modern nation-state, literature of the period offers a far more heterogeneous image of kinship structures, one that includes members of various classes and is not defined by blood. Through a radical re-reading of the multifarious kinship structures represented in literature of the long eighteenth century, The Aesthetics of Kinship questions the inevitability of the dialectic of the Enlightenment and invokes alternative futures for conceptions of social and political life.
A National Repertoire
Friedrich Schiller had a difficult relationship with the theatre world and wrote plays that, though successful on stage, ran counter to contemporary trends. This study sets Schiller in the context of the theatre history of his period by examining the impact on his dramatic production of the circumstances of the two theatres with which he was closely involved, the Mannheim National Theatre and the Weimar Court Theatre, where Goethe was Director. Born in the same year as Schiller, August Wilhelm Iffland was the most prominent actor of his generation and a prolific playwright, whose early career at the Mannheim theatre made him Schiller's rival. Yet later, as Director of the Berlin National Theatre, Iffland helped create a national repertoire with Schiller's dramas as its cornerstone. By analysing the theatrical careers of Schiller and Iffland in parallel, this study explores the developing belief in theatre as a cultural institution. It also illuminates the relationship between Schiller and Goethe as theatre practitioners.
