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The Cabin in the Woods
The Cabin in the Woods (2012), directed by Drew Goddard and co-authored by Goddard and Joss Whedon of Buffy-fame, was famously described by co-author Whedon as his ‘loving hate letter’ to horror. Interviews with Whedon reveal that his struggles with modern cinematic horror are not merely emotional, but intensely philosophical. This book is the first to read Cabin as a philosophical metatext that asks what horror offers audiences and why audiences accept. Like any good philosophy, the film offers no answers but raises questions: what ‘choices’ are possible in a pre-determined universe? How do we, the audience, see the victims of violence, and with what ethical consequences? And finally, the most fraught question of all: why do we keep looking?
Practicing Progress
The essay reads an Enlightened and modern critique of progress in Mozart's Cosi fan tutte. With numerous references to other operas and texts, and with a storyline that emphasizes inevitable, yet mutable aspects of human nature, Cosi presents an ambivalent picture of the ways in which even the most disinterested and best-informed attitude toward the past can affect the future. At the same time, the opera seems to embrace the notion of freedom of choice without rejecting tradition or repetition. The essay also comments on the performance of Cosi in Zurich in 2000, conducted by Nikolaus Harnoncourt, who often works with authentic period instruments.
Murderesses in German Writing, 1720-1860
An analysis of how female criminals were perceived both in the legal sphere and in general culture.
12 Monkeys
This volume examines Terry Gilliam's 12 Monkeys (1995) with an eye to the film's major themes, including mental illness, conspiracy theories, the impossibility of human closeness, and the nature of reality. It reads 12 Monkeys's portrayal of time travel in light of Einstein's ideas about time and the problem of free will versus determinism.
Women Peasant Poets in Eighteenth-century England, Scotland, and Germany
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Little Detours
Both the letters, edited and censored by Runckel, and the plays, commissioned and edited by her husband, reveal a number of intriguing "detours" from the path of conventionality: biographical aberrations in her letters (her chagrined loyalty to her husband, her passionate "friendship" with Runckel) and poetological deviations from her husband's poetics expressed in her dramas."--BOOK JACKET.
Romantic Poetry
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: trac...
Twilight
Elsa Bernstein lived at the center of Munich's cultural life from the 1890s into the next century. Her literary salon was frequented by such authors as Rainer Maria Rilke, Theodor Fontane, Henrik Ibsen, and Thomas Mann. Her plays, written under the pseudonym Ernst Rosmer, are noteworthy for their unconventional female figures, uninhibited language, taboo subjects, and realistic detail. Susanne Kord, the editor and translator of Twilight, discusses the reception of Bernstein's works--at first enthusiastic, then increasingly sexist--and the theme, in Twilight, of the culturally sanctioned oppression of women. In this naturalist drama, a woman eye surgeon treats the daughter of a man who is prejudiced against educated women. Her successful treatment wins the father's affection for her, and they fall in love. She is ready to give up medicine for wedded bliss--her wish is to become "very happily stupid--but finds misery instead.
The Feminist Encyclopedia of German Literature
Today, a multiplicity of feminist approaches has become an integral part of the fields of German literary and cultural studies. This comprehensive reference provides a much needed synthesis of the contribution women have made to German literature and culture. In entries for more than 500 topics, the volume surveys literary periods, epochs, and genres; critical approaches and theories; important authors and works; female stereotypes; laws and historical developments; literary concepts and themes; and organizations and archives relevant to women and women's studies. Each entry offers a concise identification of the term, a discussion of its significance, and a bibliography of works for further...
Cultural Exchange in German Literature
The influence of foreign cultures on German literature and other cultural productions since the 18th century. The Edinburgh German Yearbook is devoted to German Studies in an international context. It publishes original English- and German-language contributions on a wide range of topics from scholars around the world. Each volumeis based on a single broad theme: the first includes papers from the highly successful conference Kennst du das Land: Cultural Exchange in German Literature, held in Edinburgh in December 2006, supplemented by additional essays. The conviction that German culture and the German spirit are triumphantly unique has played a notorious role in Germany's history. It is no...
