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Antistes Johann Jakob Breitinger, 1575-1645
  • Language: de
  • Pages: 8

Antistes Johann Jakob Breitinger, 1575-1645

  • Type: Book
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  • Published: 1786
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  • Publisher: Unknown

None

Johann Jakob Breitinger, 1701-1776
  • Language: de
  • Pages: 96

Johann Jakob Breitinger, 1701-1776

  • Type: Book
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  • Published: 1897
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  • Publisher: Unknown

None

Antistes Johann Jakob Breitinger 1575-1645 und die Aufnahme Fremder in Zürich während des dreissigjährigen Krieges
  • Language: de
  • Pages: 20
Johann Jakob Breitinger, öffentlicher Lehrer der griechischen Sprache und Canonikus des Stifts zum grossen Münster in Zürich
  • Language: de
  • Pages: 14
Metrical Claims and Poetic Experience
  • Language: en
  • Pages: 321

Metrical Claims and Poetic Experience

This volume contributes to the fields of lyric poetry and poetics (especially poetic form), aesthetics, and German literature by intervening in debates on the social functions, cognitive and emotional effects, and the value of poetry. It builds on, and moves beyond, previous theories of rhythm to tie meter more particularly to the specificities of poetic language in blending of embodied responses, cultural situations, and linguistic particularities. The book examines the German-language tradition across three centuries, arguing that the interdisciplinarity and richness of metrical theory and practice emerge in the heterogeneity of poetry and its defenders in their specific historical moments...

The Founding of Aesthetics in the German Enlightenment
  • Language: en
  • Pages: 281

The Founding of Aesthetics in the German Enlightenment

Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.

In Search of Authenticity
  • Language: en
  • Pages: 318

In Search of Authenticity

Authenticity is a notion much debated, among discussants as diverse as cultural theorists and art dealers, music critics and tour operators. The desire to find and somehow capture or protect the “authentic” narrative, art object, or ceremonial dance is hardly new. In this masterful examination of German and American folklore studies from the eighteenth century to the present, Regina Bendix demonstrates that the longing for authenticity remains deeply implicated in scholarly approaches to cultural analysis. Searches for authenticity, Bendix contends, have been a constant companion to the feelings of loss inherent in modernization, forever upholding a belief in a pristine yet endangered cu...

The Dialogues of the Dead of the Early German Enlightenment
  • Language: en
  • Pages: 291

The Dialogues of the Dead of the Early German Enlightenment

  • Type: Book
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  • Published: 2021-12-13
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  • Publisher: BRILL

Starting from the little reliable information available, Riccarda Suitner conducts an exciting investigation of the authors, production, illustrations, circulation and plagiarism of a series of anonymous "dialogues of the dead" in the intellectual world of the early eighteenth century, proposing a new image of the German Enlightenment.

German Literature of the Eighteenth Century
  • Language: en
  • Pages: 363

German Literature of the Eighteenth Century

The Enlightenment was based on the use of reason, common sense, and "natural law," and was paralleled by an emphasis on feelings and the emotions in religious, especially Pietist circles. Progressive thinkers in England, France, and later in Germany began to assail the absolutism of the state and the orthodoxy of the Church; in Germany the line led from Leibniz, Thomasius, and Wolff to Lessing and Kant, and eventually to the rise of an educated upper middle class. Literary developments encompassed the emergence of a national theater, literature, and a common literary language. This became possible in part because of advances in literacy and education, especially among bourgeois women, and th...

Origin of the German Trauerspiel
  • Language: en
  • Pages: 337

Origin of the German Trauerspiel

Origin of the German Trauerspiel was Walter Benjamin’s first full, historically oriented analysis of modernity. Readers of English know it as “The Origin of German Tragic Drama,” but in fact the subject is something else—the play of mourning. Howard Eiland’s completely new English translation, the first since 1977, is closer to the German text and more consistent with Benjamin’s philosophical idiom. Focusing on the extravagant seventeenth-century theatrical genre of the trauerspiel, precursor of the opera, Benjamin identifies allegory as the constitutive trope of the Baroque and of modernity itself. Allegorical perception bespeaks a world of mutability and equivocation, a melanch...