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The Founding of Aesthetics in the German Enlightenment
Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.
Metrical Claims and Poetic Experience
This volume contributes to the fields of lyric poetry and poetics (especially poetic form), aesthetics, and German literature by intervening in debates on the social functions, cognitive and emotional effects, and the value of poetry. It builds on, and moves beyond, previous theories of rhythm to tie meter more particularly to the specificities of poetic language in blending of embodied responses, cultural situations, and linguistic particularities. The book examines the German-language tradition across three centuries, arguing that the interdisciplinarity and richness of metrical theory and practice emerge in the heterogeneity of poetry and its defenders in their specific historical moments...
The Epic Imaginary
This study analyzes how the imagination of the epic genre as legitimately legitimating community also unleashes an ambivalence between telling coherent ‐ and hence legitimating ‐ stories of political community and narrating open-ended stories of contingency that might de-legitimate political power. Manifest in eighteenth-century poetics above all in the disjunction between programmatic definitions of the epic and actual experiments with the genre, this ambivalence can also arise within a single epic over the course of its narrative. The present study thus traces how particular eighteenth-century epics explore an originary incompleteness of political power and its narrative legitimations....
The Dialogues of the Dead of the Early German Enlightenment
For the first time, this book reconstructs the fascinating story of a series of anonymous "dialogues of the dead" published in Germany in the early eighteenth century. The texts stage fictional debates between some of the most famous thinkers of the seventeenth and early eighteenth centuries, such as Descartes, Leibniz, Thomasius and Bekker. The dialogues were originally published as cheap prints and very few copies now survive; until today the links between these texts and the very existence of this textual corpus have remained unknown. Starting from the little reliable information available, Riccarda Suitner conducts an exciting investigation of the authors, production, illustrations, circulation and plagiarism of these texts in the intellectual world of the early eighteenth century, proposing a new image of the German Enlightenment. The German edition of this book was awarded the prestigious Geisteswissenschaften international prize.
A Companion to Reformed Orthodoxy
This book reflects and comprises the latest in research on the history and theology of Reformed Orthodoxy (± 1550-1750) and is at the same time a work in progress, which makes this volume in the Companion series unique. The reason for this is not only the quality of the authors and the chapters they have produced, but also the fact that the study of Reformed Orthodoxy has in recent years taken an entirely new approach and has received renewed and spirited attention, whose results have so far not been brought together in one book. The renewed interest and reappraisal of this period in intellectual history is reflected in this work in which an international team of renowned scholars give an oversight of this fascinating period in intellectual history. Contributors include Willem van Asselt, Aza Goudriaan, Irena Backus, Mark Beach, Christian Moser, Anton Vos, Tobias Sarx, Andreas Mühling, Carl Trueman, Graeme Murdock, Joel Beeke, Sebastian Rehnman, Scott Clark, John Fesko, Luca Baschera, Maarten Wisse, Hugo Meijer, Pieter Rouwendal, and John Witte.
