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The Story of the Emigrants
"The Story of the Emigrants" is a grand three-chapter voyage extracted from "Beyond Blue Earth to the French Prairie Volume I", wherein renowned author John d'Arc Lorenz III navigates through the uncharted waters of America's immigrant history. Set against the vivid backdrop of the ever-evolving American landscape, the tale unfurls a saga of remarkable tenacity, resilience, and the enduring human spirit, personified by two immigrant families - the Mahowalds and the Lorentzs. Our journey begins in the quaint town of Simmern, Luxembourg, where we encounter the adventurous Mahowald brothers - John and Frank - along with their cousins Mathias, John, Nick, Matthew, and Anna. Breaking free from th...
The Aesthetic Legacy of Eduard Hanslick
This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick’s influential aesthetic treatise, On the Musically Beautiful (1854). The contributions reveal the philosophical foundations and subtleties of his aesthetic approach. The collection features original essays written by leading scholars in philosophical aesthetics and musicology. It covers many of Hanslick’s overarching themes, such as the relationship between beauty and form, between music and emotion, and the role of imagination and performance in music, which have recently gained prominence in Hanslick scholarship. The chapters, divided into five thematic sections, will provide a better scholarly foundation for a deeper understanding of On the Musically Beautiful and its arguments. In bringing together the various approaches and accounts of the different textual, historical, conceptual, and philosophical challenges posed by Hanslick’s aesthetics, The Aesthetic Legacy of Eduard Hanslick will appeal to philosophers of music, historians of aesthetics, musicologists specializing in 19th-century studies, and music theorists working on aesthetic issues.
Platonismus im Idealismus
Die neuere Forschung zur modernen Philosophiegeschichte hat ihren Blick immer mehr auf die Wurzeln der klassischen deutschen Philosophie in der antiken und spätantiken Gedankenwelt gerichtet. Dieser Sammelband untersucht die Genese und Entwicklung des Deutschen Idealismus anhand der Rezeption und Transformation der Platonischen Tradition bei J. G. Fichte, F. Hölderlin, G.E. F. Hegel und F.W. J. Schelling. Gezeigt wird, inwiefern diese Denker die Leitmotive und die primären Bestimmungen ihres Problemhorizonts im Platonismus entdecken, ihn aber in ihrer eigenen philosophischen Situation grundlegend ändern.
Volume 19, Tome VI: Kierkegaard Bibliography
The long tradition of Kierkegaard studies has made it impossible for individual scholars to have a complete overview of the vast field of Kierkegaard research. The large and ever increasing number of publications on Kierkegaard in the languages of the world can be simply bewildering even for experienced scholars. The present work constitutes a systematic bibliography which aims to help students and researchers navigate the seemingly endless mass of publications. The goal has been to create the most exhaustive bibliography of Kierkegaard literature possible, and thus the bibliography is not limited to any specific time period but instead spans the entire history of Kierkegaard studies.
A Companion to Meister Eckhart
Drawing on the latest European Research on Meister Eckhart since 1970, the volume provides a comprehensive rereading of the Life, Works, Career, Trial of Meister Eckhart. Central Philosophical ideas and sources with an account of his preaching, teaching and the reception of his work from the 14th to the 21st century.
Place, Commonality and Judgment
A highly original examination of topics in ancient philosophy through the lens of modern European thought. >
The Ecstatic Quotidian
Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), wh...
Words in Blood, Like Flowers
Why did Nietzsche claim to have "written in blood"? Why did Heidegger remain silent after World War II about his participation in the Nazi Party? How did Hölderlin's voice and the voices of other, more ancient poets come to echo in philosophy? Words in Blood, Like Flowers is a classical expression of continental philosophy that critically engages the intersection of poetry, art, music, politics, and the erotic in an exploration of the power they have over us. While focusing on three key figures—Hölderlin, Nietzsche, and Heidegger—this volume covers a wide range of material, from the Ancient Greeks to the vicissitudes of the politics of our times, and approaches these and other questions within their hermeneutic and historical contexts. Working from primary texts and a wide range of scholarly sources in French, German, and English, this book is an important contribution to philosophy's most ancient quarrels not only with poetry, but also with music and erotic love.
Populism and Globalization
The narrative of populism as a "rising tide" has enjoyed currency at least since the election of Donald Trump in 2016 and the success of the "Leave" campaign in the UK referendum on membership of the EU earlier in that year. And yet, on the eve of what proved to be President Trump's election defeat some four years later, the British journalist Nick Cohen felt able to muse "(w)e're endlessly told why populism works. Now see how it might fail" (October 10, 2020). So, one might be forgiven for thinking that what goes around must eventually come around. However, things are not that simple, and the runes are harder to read.
Romanticism, Hellenism, and the Philosophy of Nature
This book investigates intersections between the philosophy of nature and Hellenism in British and German Romanticism, focusing primarily on five central literary/philosophical figures: Friedrich Schelling, Friedrich Hölderlin, Johann Wolfgang von Goethe, Percy Shelley, and Lord Byron. Near the end of the eighteenth century, poets and thinkers reinvented Greece as a site of aesthetic and ontological wholeness, a move that corresponded with a refiguring of nature as a dynamically interconnected web in which each part is linked to the living whole. This vision of a vibrant materiality that allows us to become “one with all that lives,” along with a Romantic version of Hellenism that wished to reassemble the broken fragments of an imaginary Greece as both site and symbol of this all-unity, functioned as a two-pronged response to subjective anxiety that arose in the wake of Kant and Fichte. The result is a form of resistance to an idealism that appeared to leave little room for a world of beauty, love, and nature beyond the self.
