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Mexico
Precolumbian art -- Viceregal art -- Nineteenth century art -- Twentieth century art.
The Royal Inca Tunic
The hidden life of the greatest surviving work of Inca art The most celebrated Andean artwork in the world is a five-hundred-year-old Inca tunic made famous through theories about the meanings of its intricate designs, including attempts to read them as a long-lost writing system. But very little is really known about it. The Royal Inca Tunic reconstructs the history of this enigmatic object, presenting significant new findings about its manufacture and symbolism in Inca visual culture. Andrew James Hamilton draws on meticulous physical examinations of the garment conducted over a decade, wide-ranging studies of colonial Peruvian manuscripts, and groundbreaking research into the tunic’s pr...
Object and Apparition
"Based on thorough archival research combined with stunning visual analysis, Maya Stanfield-Mazzi demonstrates that Andeans were active agents in Catholic image-making and created a particularly Andean version of Catholicism. Object and Apparition describes the unique features of Andean Catholicism while illustrating its connections to both Spanish and Andean cultural traditions"--Provided by publisher.
The Ibero-American Baroque
The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic. This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance. Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries.
Why We Eat What We Eat
"When Christopher Columbus stumbled upon America in 1492, the Italians had no pasta with tomato sauce, the Chinese had no spicy Szechuan cuisine, and the Aztecs in Mexico were eating tacos filled with live insects instead of beef. In this lively, always surprising history of the world through a gourmet's eyes, Raymond Sokolov explains how all of us -- Europeans, Americans, Africans, and Asians -- came to eat what we eat today. He journeys with the reader to far-flung ports of the former Spanish empire in search of the points where the menus of two hemispheres merged. In the process he shows that our idea of "traditional" cuisine in contrast to today's inventive new dishes ignores the food revolution that has been going on for the last 500 years. Why We Eat What We Eat is an exploration of the astonishing changes in the world's tastes that let us partake in a delightful, and edifying, feast for the mind."--Publisher's description.
PreColumbian Textiles in the Ethnological Museum in Berlin
The Ethnological Museum in Berlin, Germany, houses Europe's largest collection of PreColumbian textiles-around 9000 well-preserved examples. Lena Bjerregaard was conservator of these materials 2000-2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays on the museum's holdings - by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. Its second part is a 177-page catalogue of 273 selected representative items, arranged by period and style. There are more than 380 photographs. Styles or cultures shown include Paracas, Nasca, Sican/Lambayeque, Ychsma, Chavin, Siguas, Tiwanaku, Wari, Chimu, Central Coast, Chancay, South Coast, Inca, and Colonial. Items pictured include tunics, clothing, tapestry, hats, belts, headbands, samplers, borders, and khipus. Materials include camelid fibers, feathers, hair, cotton, reed, straw, and other plant fibers.
The Singing of the New World
A study of indigenous music-making in New World societies, including the Aztecs and the Incas.
Europe in the Age of Monarchy
"This volume reproduces over 125 works of art in every genre and medium from the collections of the Metropolitan Museum. They give a breathtaking picture of a turbulent and exciting epoch, which was at once the Age of Monarchy and a Golden Age of art. Just as its kings and queens are still exemplars of glorious majesty and shrewd statesmanship, so the artists of that century remain for us the Old Masters of European art: Caravaggio, Bernini, Tiepolo, Guardi; El Greco, Velazquez; Rubens, van Dyck; Hals, Rembrandt, Vermeer, van Ruisdael; de La Tour, Poussin, Claude, Watteau, Bourcher, Chardin. In every medium, the clash and complicity of the traditional Classical style and the newer Baroque vision bequeathed us a rich treasure."--Page 4 of cover.
Sacred Dialogues: Christianity and Native Religions in the Colonial Americas 1492-1700
A Spanish conquistador who posed as a sorcerer and cured native Americans as he trekked across an unknown wilderness; a French Jesuit who conjured rain clouds in order to impress his indigenous flock with the potency of Christian magic; a Puritan minister who healed a native chief in order to win him for God; a Mexican noble who was burned at the stake for resisting the gentle Franciscan friars; an Andean chief who was haunted by nightmares in which his native gods did battle with the Christian Father; a Huron magician who vied with French missionaries over spirits of the night in a shaking tent ceremony. These are a few of the individuals whose struggles are brought to life in the pages of this book. Their experiences, among others, reveal what happened when Christianity came into contact with Native American religions in three distinct regions of sixteenth- and seventeenth-century colonial America: Spanish, French and British.
