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Volume 46
Back in 1963, when a conference on Horace was organised at Oudpelgeest (The Netherlands), Harry C. Schnur chose to comment upon Horace's famous poem Exegi monumentum aere perennius. Not unlike the Roman poet, Schnur was driven by one of mankind's strongest stimuli, the craving for immortality. No doubt the same attitude of mind made him meticulously keep together every possible line written by, or concerning, himself: copies of articles, books, translations, notes for his courses, poems, letters to editors of newspapers, files with clippings, were all for him more treasured than incunabula, rare books or precious furniture. Wartime conditions and a great many removals from Germany to England, thence to Holland, back again to England, thence to the U.S.A., back to Germany and then finally to the safe harbour of Switzerland, caused the loss of some book-cases, which left his collection incomplete, but still very impressive.
This collective volume has been dedicated to two distinguished scholars of Neo-Latin Studies on the occasion of their retirement after a long and fruitful academic career, one at the Université catholique Louvain-la-Neuve, the other at the internationally renowned Seminarium Philologiae Humanisticae of Leuven University. Both the rich variety of subjects dealt with and the international diversity of the scholars authoring contributions reflect the wide interests of the celebrated Neo-Latinists, their international position, and the actual status of the discipline itself. Ranging from the Trecento to the 21st century, and embracing Latin writings from Italy, Hungary, The Netherlands, Germany...
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Includes entries for maps and atlases.
Joseph Tusiani: Poet, Translator, Humanist. An International Homage pays tribute to a leading figure of Italian culture in the United States. Joseph Tusiani has been an active poet, translator, and humanist for the entire second half of the twentieth century. The scholars honor all aspects of Professor Tusiani's intellectual and cultural career: most especially his translations from the Italian and his own poetry in English, Italian, and Latin. This volume closes with the first-time publication of his play in verse If Gold Should Rust, introduced by poet and critic Felix Stefanile.