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Following the death of St. Louis, a new court fashion of ostentatious display was introduced into French stained glass with the advent of Queen Marie de Brabant, who in 1274 became the second wife of St. Louis's heir Philippe le hardi. Little stained glass in this new style survives, since the very motifs that made it different -- large donor 'portraits, ' elaborate heraldry, lavish name-inscriptions -- were targets of vandalism. This study reconstructs two ensembles in the new style, at Mussy-sur-Seine in southern Champagne & at the medieval hospital of Tonnerre in Burgundy. Both can be connected with the extraordinary figure of Marguerite de Bourgogne. Titled the Queen of Sicily, she was a revered agent of Christian charity of the Gothic era. 50+ illustrations.
This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.
An excellent starting point for both reference librarians and for library users seeking information about family history and the lives of others, this resource is drawn from the authoritative database of Guide to Reference, voted Best Professional Resource Database by Library Journal readers in 2012. Biographical resources have long been of interest to researchers and general readers, and this title directs readers to the best biographical sources for all regions of the world. For interest in the lives of those not found in biographical resources, this title also serves as a guide to the most useful genealogical resources. Profiling more than 1400 print and electronic sources, this book helps connect librarians and researchers to the most relevant sources of information in genealogy and biography.
Gerard ter Borch (1617-1681) was unequalled among his Dutch peers for capturing the elegance & grace of wealthy Dutch society in his portraiture. A major influence on Vermeer, ter Borch has not received the attention he deserves & this is the first major English language text about his work.
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The twenty studies collected in this volume focus on the transition from the Middle Ages to the modern world. The method leads from technical investigations on William Durant the Younger (ca. 1266-1330) and Hermann Conring (1606-1681) through reflection on the nature of historical knowledge to a break with historicism, an affirmation of anachronism, and a broad perspective on the history of Europe. The introduction explains when and why these studies were written, and places them in the context of contemporary historical thinking by drawing on Wittgenstein's Philosophical Investigations. This book will appeal to historians with an interest in historical theory, historians of late medieval and early modern Europe, and students looking for the meaning of history.