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Fighting in the Sky
Barely a decade passed from the Wright Brothers’ first powered flight to aircraft becoming lethal instruments of war. The Royal Flying Corps and Royal Naval Air Service took off in the very early days of The Great War and captured the public’s imagination and admiration. Sydney and Richard Carline happened to be both pilots and artists as was Frenchman Henri Farre. Their works inspired celebrated painters like Sir John Lavery who took to the skies in an airship in the First World War. Feeding on the demand for works depicting this new dimension of warfighting, a new genre of art was born which has remained popular ever since. During the Second World War, the paintings of Paul Nash stood out as did Eric Ravilious who, ironically, died in an air crash. War artist Albert Richards dropped with British paratroopers on D-Day. Post-war, paintings by leading British and international artists graphically illustrate conflicts such as the Falklands, Bosnia and the Gulf War. John Fairley has brought together a dazzling collection of art works covering over 100 years of air warfare, enhanced by lively and informative text. The result is a book that is visually and historically satisfying.
The Artist Explorers
It was in large part the lure of riches, such as spices and gold, and the promise of fertile land which tempted the British and other Europeans to venture out to unknown lands. These intrepid explorers, who devoted and often lost their lives on journeys of discovery, were frequently accompanied by artists. At the time there was no other way of pictorially recording their exploits and experiences. James Cook and his botanist Joseph Banks had artists Alexander Buchan and Sydney Parkinson on board for their initial voyage to the South Seas. Buchan’s first pictures were of the natives of Tierra del Fuego as the Endeavour rounded Cape Horn but tragically within a month he died, apparently of epilepsy. Thomas Baines traveled with Livingstone while Charles Heaphy in New Zealand and the Governor's wife in India were amongst many others who produced drawings and paintings. The many fine works in this book fashioned the British public's image of their countrymen’s discoveries and, later, of the lives of those who remained in these faraway places. Right up to the start of the 20th century their publication in the illustrated papers of the day became the core of popular appreciation.
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