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William Attridge, Jr. was born in about 1809 in County Cork, Ireland. His family emigrated in about 1835 and settled in Quebec. He married Sarah and they had four sons. The family lived in Rochester, New York and then returned to Canada and settled in Kent County, Ontario. Descendants and relatives lived mainly in Ontario and New York.
Recognizing the Stranger is the first monographic study of recognition scenes and motifs in the Gospel of John. The recognition type-scene (anagnōrisis) was a common feature in ancient drama and narrative, highly valued by Aristotle as a touching moment of truth, e.g., in Oedipus’ tragic self-discovery and Odysseus’ happy homecoming. The book offers a reconstruction of the conventions of the genre and argues that it is one of the most recurrent and significant literary forms in the Gospel. When portraying Jesus as the divine stranger from heaven, the Gospel employs and transforms the formal and ideological structures of the type-scene in order to show how Jesus’ true identity can be recognized behind the half-mask of his human appearance.
As a far reaching tribute to the distinguished career of Thomas H. Tobin, S.J., a team of outstanding biblical scholars has joined to offer essays on the religious milieu of the ancient Mediterranean region. Challenged by Hellenistic and Greco-Roman cultural and political domination, the religious struggles of Jewish and, later, Christian communities sought to maintain tradition as well as mitigate transition. Jewish responses to a Hellenistic world are revealed anew in the Dead Sea Scrolls and the works of Artapanus and Philo. Also, Christian views on the transitory world of the early centuries of the Common Era are brought to light in the New Testament literature, apocryphal texts, and Patristic writings. Professors and students alike will benefit from the depth and breadth of this fresh scholarship.
John and Philosophy: A New Reading of the Fourth Gospel offers a Stoic reading of the Fourth Gospel, especially its cosmology, epistemology, and ethics. It works through the gospel in narrative sequence providing a 'philosophical narrative reading'. In each section of the gospel Troels Engberg-Pedersen raises discusses philosophical questions. He compares John with Paul (in philosophy) and Mark (in narrative) to offer a new reading of the transmitted text of the Fourth Gospel. Of these two profiles, the narrative one is strongly influenced by the literary critical paradigm. Moreover, by attending carefully to a number of narratological features, one may come to see that the transmitted text ...