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Two people are found dead at the Banff Centre for the Arts, and aspiring painter Laura Janeway launches her own investigation of the crimes.
Homicide Detective Chris Crane is on the trail of a serial killer stalking the streets of Calgary. The pressure mounts along with the body count.
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All the ingredients for a superb thriller are present in John Bishop Ballem's tenth novel. On Manchineel, the Caribbean playground of the rich and famous, Skye MacLeod flies his own vintage airplane, attends parties, flirts with a gin-loving princess, and falls in love with the ex-wife of a powerful American senator. He comes to realize that there is something dreadfully wrong with this island paradise through a series of strange events: unusual shark attacks, voodoo ceremonies, and the disappearance of several children and young adults.
In this, the companion to the landmark volume The Literary History of Alberta, Volume One: From Writing-on-Stone to World War Two, George Melnyk examines Alberta literature in the second half of the twentieth century. At last, Melnyk argues, Alberta writers have found their voice--and their accomplishments have been remarkable. The contradictory landscape, the stereotypes of the Indian, the Mountie, and the Cowboy, and the language of the Other, speaking from the margins--these elements all left their impressions on the consciousness of early Alberta. But writers in the last few decades have turned this inheritance to their advantage, to create compelling stories about this place and its people. Today, Melnyk discovers, Alberta writers can appreciate not only this achievement, but also its essential source: the symbolic communication of Writing-on-Stone. The Literary History of Alberta, Volume Two extends the study of Alberta's cultural history to the present day. It is a vital text for anyone interested in Alberta's vibrant literary culture.
A selection of short stories old and new exploring crime and malfeasance and thrilling danger under the flickering Northern Lights.
The volume convenes English- and French-speaking Canadianists who share a broad reflection on issues of exclusion and inclusion in Canadian contexts. It is through historical, but also linguistic, cultural and literary perspectives that we can unveil and learn more about the particular instances of inclusion and exclusion. The volume offers a kaleidoscopic view of Canadian history, politics, literature, and culture. The collected essays provide a discussion on a number of contemporary Anglophone and Francophone literary works, the evaluation of Canadian language policy, the reflection upon the literary canon as well as challenges of literary translation in a bilingual country, the distinctness of Black Lives Matter Canada, and, last but not the least, the historical status of New France.
The first serious book-length study of crime writing in Canada, Detecting Canada contains thirteen essays on many of Canada’s most popular crime writers, including Peter Robinson, Giles Blunt, Gail Bowen, Thomas King, Michael Slade, Margaret Atwood, and Anthony Bidulka. Genres examined range from the well-loved police procedural and the amateur sleuth to those less well known, such as anti-detection and contemporary noir novels. The book looks critically at the esteemed sixties’ television show Wojeck, as well as the more recent series Da Vinci’s Inquest, Da Vinci’s City Hall, and Intelligence, and the controversial Durham County, a critically acclaimed but violent television series that ran successfully in both Canada and the United States. The essays in Detecting Canada look at texts from a variety of perspectives, including postcolonial studies, gender and queer studies, feminist studies, Indigenous studies, and critical race and class studies. Crime fiction, enjoyed by so many around the world, speaks to all of us about justice, citizenship, and important social issues in an uncertain world.