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Decolonizing the Memory of the First World War
Decolonizing the Memory of the First World War contributes to the imperial turn in First World War studies. This book provides an exploration of the ways in which war memory can be appropriated, neglected and disabled, but also “unlearned” and “decolonized”. The book offers an analysis of the experience of soldiers of colour in five novels published at the centenary of the First World War by David Diop, Raphaël Confiant, Fred Khumalo, Kamila Shamsie and Abdulrazak Gurnah, examining the poetics and the politics of the conflict’s commemoration. It explores continuities between WWI and earlier and later eruptions of violence, thus highlighting the long-lasting sequels of the first gl...
Operation Freak
A groundbreaking analysis of the operations to bodies and narratives that inform - and form - Francophone literature.
Betraying the Event
In gaining an instrumental part, becoming a fashion, the victimhood theme has drawn attention to its fascinatory and manipulative aspects, and has asked for a critical reconsideration. This volume makes note of an attempt to sustain a conversation about changes in the ways the processes of victimization are written out and comprehended. The contributors aim to expose some recent instances and modalities of cultural and political constructions of victimhood in various parts of the world. Our concern with the overlapping areas of victimhood and rhetoric points to the ambiguous manner in which language and images thread their way into the critical discourses of today, and even devise a vicious ...
(Re)Writing War in Contemporary Literature and Culture
(Re)Writing War in Contemporary Literature and Culture: Beyond Post-Memory is an exploration of war narratives through the lens of postmemory, offering a critical re-evaluation of how contemporary literature and cultural products reshape our understanding of past conflicts. This volume presents a rich tapestry of perspectives, drawing from an array of conflicts and incorporating insights from international experts across various disciplines, including contemporary literature, film studies, visual arts, and cultural studies. It critically builds upon and extends Marianne Hirsch's concept of postmemory, engaging with complex themes like the ethical dimensions of war writing, the authenticity of representations, and the creative power of art in reimagining traumatic events. This study not only challenges traditional boundaries in war literature and memory studies but also resonates with contemporary concerns about societal engagement with violent pasts, making it a significant addition to scholarly discourse and essential reading for those interested in the intersection of history, memory, and literature.
Personal Narratives, Peripheral Theatres: Essays on the Great War (1914–18)
This book is a collection of essays on neglected aspects of the Great War. It begins by asking what exactly was so "Great" about it, before turning to individual studies of various aspects of the war. These fall broadly into two categories. Firstly personal, micro-narratives that deal directly with the experience of war, often derived from contemporary interest in diaries and oral histories. Presenting both a close-up view of the viscerality, and the tedium and powerlessness of personal situations, these same narratives also address the effects of the war on hitherto under-regarded groups such as children and animals. Secondly, the authors look at the impact of the course of the war on theatres, often left out in reflections on the main European combatants and therefore not part of the regular iconography of the trenches in places such as Denmark, Canada, India, the Levant, Greece and East Africa.
Kanade, di Goldene Medine?
Kanade, di Goldene Medine offers a broad study of its field, with equal attention to English- and French-language materials and contexts. The volume’s essays highlight the fundamental link between the culture and life of Canadian Jews and their Polish roots. This focus brings Yiddish to the fore, in essays focusing on the history of Canadian Yiddish literature, and the relevance of the language for contemporary Canadian Chasidic communities. However, essays in this volume also highlight the writings of contemporary authors, working both in French and English. Thus, the collection explores culture at the borderlands of three languages, with an eye for the link between New Worlds and Old. Ka...
Beyond "Understanding Canada"
The dismantling of "Understanding Canada"—an international program eliminated by Canada's Conservative government in 2012—posed a tremendous potential setback for Canadianists. Yet Canadian writers continue to be celebrated globally by popular and academic audiences alike. Twenty scholars speak to the government's diplomatic and economic about-face and its implications for representations of Canadian writing within and outside Canada's borders. The contributors to this volume remind us of the obstacles facing transnational intellectual exchange, but also salute scholars' persistence despite these obstacles. Beyond "Understanding Canada" is a timely, trenchant volume for students and scholars of Canadian literature and anyone seeking to understand how Canadian literature circulates in a transnational world. Contributors: Michael A. Bucknor, Daniel Coleman, Anne Collett, Pilar Cuder-Domínguez, Ana María Fraile-Marcos, Jeremy Haynes, Cristina Ivanovici, Milena Kaličanin, Smaro Kamboureli, Katalin Kürtösi, Vesna Lopičić, Belén Martín-Lucas, Claire Omhovère, Lucia Otrísalová, Don Sparling, Melissa Tanti, Christl Verduyn, Elizabeth Yeoman, Lorraine York
Cahiers Albert Cohen n°17, Albert Cohen et la modernité littéraire
Si Belle du seigneur avait paru en 1939 et non en 1968, et que l'ensemble de la fresque romanesque eût été publié d'un seul tenant, l'histoire du roman français se fût écrite de manière sensiblement différente. Les inventions de Cohen seraient probablement apparues avec plus d'éclat dans le contexte littéraire de la fin des années trente que dans celui des années soixante, déjà bien occupées par une « autre modernité ». C'est cette histoire tourmentée de l'oeuvre qui lui donne une patine légèrement anachronique ou, si l'on préfère, inactuelle. Ces Cahiers n°17 explorent divers territoires de la modernité cohénienne : rapport à la langue, rapport au genre romanesque, dialogue inédit avec deux grands contemporains, Faulkner et Bergson.
