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Drawn from five large volumes published between 1825 and 1882, this student's edition showcases the architectural splendor of Renaissance Rome for a new generation. Paul Letarouilly's original work constitutes the standard reference, presenting the most complete collection of plans, elevations, and details of great buildings and monuments designed by Michelangelo, Peruzzi, Vignola, Bernini, and many others.
When empires hung on the turn of a card... Cheyne Scarne was a gambler - a lucky one. What he didn't know about randomatics wasn't worth knowing. He had brains to get right to the heart of the Grand Wheel - the syndicate that controlled all illegal activity in the planets under human control. But what Scarne had staked to get that far was chickenfeed compared to what he would risk to get into the real big time - the massive intergalactic combine that dwarfed the empires of mere men. For Scarne, double-crossing at every deal, had laid his life on the line to win a game where no one knew the value of the cards and the rules changed with every trick!
A controversial manifesto on the role of classical principles in architecture critically examined for relevance today. First published in 1959, The Golden City is a seminal, critical document that developed one of the earliest and most compelling arguments against the then-dominant hegemony of modernism by reawakening interest in the value of our country's built patrimony, particularly with respect to its notable classical architecture, classical sculpture, and ornament in the built environment. The book's argument remains valuable today. The Golden City can be credited with building the constituency for the preservation movement in the United States in general, and in New York City in particular. That constituency coalesced around Reed's powerful polemic, eventually contributing to the formulation in 1965 of New York City's groundbreaking Landmark Law, one of the most important milestones in the preservation movement in the United States.
The sails were the product of the Old Technology, lost long ago in the depleted Earth, and they were priceless. For with those fantastic sheets of etheric material, ships could sail the sky and even brave the radiant tides between worlds and stars. The alchemists who had replaced scientists still sough the ancient secrets, and Rachad, apprentice to such a would-be wizard, learned that the key to his quest lay in a book abandoned in a Martian colonial ruin long, long ago. But how to get to Mars? There was one way left - take a sea vessel, caulk it airtight, steal new sails and fly the star winds in the way of the ancient windjammers. Here is an intriguing, unusual and colourful novel of ships that sail the stars riding before the solar breeze that blows between worlds.
This includes tables of the Classical Orders, measured drawings of monuments, and practical instruction on classical design. 304 illustrations.
The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire's thousand-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future. Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he had been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there was only one option left to him. To be allowed to die.
Detailed text and illustrations examine the buildings of the great neoclassical period, 1730–1875. The roster of masterpieces pictured and described include The Customs House, Dublin; The Bank of England, Liverpool; Newgate Prison, London; The British Museum, London; The National Gallery, Edinburgh; The Fitzwilliam Museum, Cambridge; and many more. 176 black-and-white illustrations.
Paul Letarouilly's masterpiece, Edifices de Rome Moderne, has been hailed as the most beautiful book on Renaissance architecture ever published. Letarouilly (1795–1855) devoted thirty-five years to drawing the plans, sections, elevations, perspectives, and large-scale details of gardens, convents, palaces, and churches of Renaissance Rome. His keen observational ability and immaculate drawing skills make this work an indispensable sourcebook. In many cases his etchings remain the only measured plans or elevations available; he also recorded buildings destroyed by later demolitions. Our 1982 reprint of Edifices de Rome Moderne has been recognized as a classic in its own right: razor-sharp reproductions of the original plates in a usable format. Now we're delighted to offer the Edifices in an even-easier-to-use size, and in a sewn paperback binding to make it an affordable cornerstone of any architecture student's library.
The alien ruins that dotted Earth's landscape were an enigma. Archaeologist Rond Heshke dismissed as a ridiculous hoax the photographic evidence which suggested that the ruins disobeyed the laws of time. The Titanium Legions believed that the ruins had been left behind by an invading force from space, which had been repelled in a past age and whose imminent return was feared. It was not until the Titanium scientists perfected their time machines that the truth began to emerge piece by piece: that the builders of the ruins belonged not to the stars but to Earth's own future, and that the dreaded confrontation was indeed shortly due - not with aliens, but in a form more horrifying, more calamitous, than anything imaginable... For Earth was to be the victim of an extraordinary cosmic accident. Time itself was about to collide! Mankind's leaders became even more fanatical, pressing on with new plans, determined at all costs to survive...
Nine brilliant stories of infinite space and alien consciousness, suffused with a sense of wonder . . . The Exploration of Space The Bees of Knowledge Exit from City Me and my Antronoscope All the King's Men An Overload Mutation Planet The Problem of Morley's Emission The Cabinet of Oliver Naylor