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Packed with articles and interviews--with George Harrison, Patti Smith, Eric Clapton, and many others--offering an exhilarating insight into the poet laureate of the sixties generation, this book also includes photos, many never before published, tracing Dylan's entire career. "Compulsive reading".--"New Musical Express". **Lightning Print On Demand Title
When Columbia Records finally decided to open up the voluminous Bob Dylan vaults, unleashing thousands of hours of long-sought-after, oft-rumored, unreleased material, it was hard to keep up. Included in the release were six CDs of Blood On The Tracks outtakes, six CDs of the complete Basement Tapes, 10 CDs of Rolling Thunder Revue live material, the six extraordinary CDs of The Cutting Edge from Dylan's game-changing 1965-66 sessions, and a stunning 36 CD release of Dylan's stormy 1966 world tour that some say changed the face of popular music. It is all explored here. This updated examination of Dylan's five-decade career provides a comprehensively analyzes his writing and recording histor...
Bob Dylan: Performing Artist 1986-1990 And Beyond is the third volume of US critic Paul Williams' widely acclaimed writings on the music and performances of Bob Dylan. In this final edition, Williams assess the influence of Dylan upon the later generations, the artist's self-proclaimed Never Ending Tour, as well as dissected two classic Dylan albums, Time Out Of Mind and Love And Theft. No stone is left unturned as the author charts the shifts in musical style and the response of this remarkable and unpredictable artist to the ever-changing musical landscape. A candid portrait of the independent and controversial singer/songwriter in an increasingly chaotic industry.
A study of classic documentary film.
A joyous and poignant exploration of the meaning of fandom, the healing power of art, and the importance of embracing what moves you, “The Dylanologists is juicy…artfully told…and an often moving chronicle of the ecstasies and depravities of obsession” (New York Daily News). Bob Dylan is the most influential songwriter of our time, and, after a half century, he continues to be a touchstone, a fascination, and an enigma. From the very beginning, he attracted an intensely fanatical cult following, and in The Dylanologists, Pulitzer Prize–winning journalist David Kinney ventures deep into this eccentric subculture to answer a question: What can Dylan’s grip on his most enthusiastic ...
Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.
Bob Dylan is one of the most significant figures in popular culture. In this book, the authors provide a multi-faceted analysis of his political art. They address Dylan's career as a whole, dealing with such themes as alienation, protest, non-conformity, the American Dream, modernity and postmodernism and pivotal moments of Dylan's career such as the ‘Judas’ accusation at the 1966 Manchester Free Trade Hall concert and Dylan’s comments on the need to aid American farmers at Live Aid, 1985. Dylan’s songs are analysed for their political meaning and for the songs in contemporary American political and popular culture. As notable specialists in the fields of political theory, literary c...
Showing how theories of stardom can help us understand both Bob Dylan and the history of rock music, Lee Marshall provides new insight into how Dylan's songs acquire meaning and affects his relationship with his fans, his critics and the recording industry.
For Vol. 2 of the series CMS Sourcebooks in American Music, Neil Minturn acknowledges the phenomenon of rock and roll with a serious examination of Martin Scorsese's film, THE LAST WALTZ (1978), the celebrated "rockumentary" that so artfully captured for posterity the final performance of The Band. From 1861 to 1976, this partnership of one American and four Canadians produced an impressive body of popular song in the rock idiom between 1961 and 1976. Joining its members for their farewell performance are a variety of guests, who, like The Band itself, reflected the rich array of traditions that have nourished rock and roll since its emergence. Minturn approaches the substance of the performances and the film itself in terms of intimacy and tradition. He presents the San Francisco concert as a summation of an extraordinary musical journey and prefaces his "scene-by-scene" analysis with a cogent introduction to documentary filmmaking. Selected performances are discussed in detail.