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A small group of black and white American women who banded together in the 1830s and 1840s to remedy the evils of slavery and racism, the "antislavery females" included many who ultimately struggled for equal rights for women as well. Organizing fundraising fairs, writing pamphlets and giftbooks, circulating petitions, even speaking before "promiscuous" audiences including men and women—the antislavery women energetically created a diverse and dynamic political culture. A lively exploration of this nineteenth-century reform movement, The Abolitionist Sisterhood includes chapters on the principal female antislavery societies, discussions of black women's political culture in the antebellum North, articles on the strategies and tactics the antislavery women devised, a pictorial essay presenting rare graphics from both sides of abolitionist debates, and a final chapter comparing the experiences of the American and British women who attended the 1840 World Anti-Slavery Convention in London.
This volume reproduces almost 100 remarkably detailed and texturally rich photographs. Essays by noted historians John Stilgoe, Mary Panzer, and Kenneth Finkel place Rau and his work in the context of the history of American advertising and landscape photography.
Through exhaustive research and graceful writing, Newman shows all the sides of Richard Allen: activist, institution-builder of the AME church, theologian and writer, and pulpit politician.
The 161 drawings, sketches, and watercolors in the volume cover a wide variety of subjects: rivers, roads, bridges, canals, towns, flora and fauna, people in their homes and at work and play.
清华金融系列英文版教材
In the course of a sojourn to Europe, Biddle sailed to Greece, then a part of the Ottoman Empire. Half of the journal he kept on the trip has only recently been discovered, and the other half is known to only a few people because it is still in private hands. Taken together, these two journals (plus the four extant letters that Biddle wrote to his family in Philadelphia) are a mine of information about the formative influences on his career, about the politics and personalities of Napoleon's Europe, about the condition of Greece and its ancient monuments under the Turkocratia, and even about the American naval war against the Barbary pirates. Despite being written by a twenty-year-old, these journals are remarkable for their literary quality and their general liveliness. Perhaps because they were not written to be published, they have a freshness and honesty lacking in more formal works of travel.
Epic Landscapes is the first study devoted to architect Benjamin Henry Latrobe’s substantial artistic oeuvre from 1795, when he set sail from Britain to Virginia, to late 1798, when he relocated to Pennsylvania. Thus, this book offers the only extended consideration of Latrobe’s Virginian watercolors, including a series of complex trompe l’oeil studies and three significant illustrated manuscripts. Though Latrobe’s architecture is well known, his watercolors have received little critical attention. Epic Landscapes rediscovers Latrobe’s watercolors as an ambitious body of work and reconsiders the close relationship between the visual and spatial sensibility of these images and his architectural designs. It also offers a fresh analysis of Latrobe within the context of creative practice in the Atlantic world at the end of the eighteenth century as he explored contemporary ideas concerning the form of art for Republican society and the social impacts of revolution. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Each edition contains "the names and origin of the civil divisions, and the names and dates of election or appointment of the principal state and county officers from the Revolution to the present time."