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John Coulter
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John Colter
John Colter was a crack hunter with the Lewis and Clark expedition before striking out on his own as a mountain man and fur trader. A solitary journey in the winter of 1807-8 took him into present-day Wyoming. To unbelieving trappers he later reported sights that inspired the name of Colter's Hell. It was a sulfurous place of hidden fires, smoking pits, and shooting water. And it was real. John Colter is known to history as probably the first white man to discover the region that now includes Yellowstone National Park. In a classic book, first published in 1952, Burton Harris weighs the facts and legends about a man who was dogged by misfortune and "robbed of the just rewards he had earned." This Bison Book edition includes a 1977 addendum by the author and a new introduction by David Lavender, who considers Colter's remarkable winter journey in the light of current scholarship.
Squares of London
The history of the London square begins in 1631 with the great name of Inigo Jones, whose houses and church in Covent Garden were both started in that year. Lincolns Inn Fields followed from 1638, though Southampton (now Bloomsbury) Square was the first to formally bear that name. Then the Georgian age ushered in the second great wave of square building. This stunning collection provides an alphabetical guide to all 578 historic London squares, whether large, small, famous, obscure, existing, or long vanished. For each there is a brief history, a description of the architecture, and some account of notable former residents; for many, an archive photograph or engraving (and for the major squares several). This comprehensive and unique study also includes an index and select bibliography.
The Boone Family
George Boone IV (1690-1753), a Quaker, emigrated from England to Abington, Philadelphia County, Pennsylvania, married Deborah Howell in 1713, and moved to Berks County, Pennsylvania. Descendants lived in Pennsylvania, Ohio, Kentucky, Tennessee, Texas, New Mexico, Colorado, California and elsewhere.
The Mystery of John Colter
From the first account of “Colter’s Run,” published in 1810, fascination with John Colter, one of America’s most famous and yet least known frontiersmen and discoverer of Yellowstone Park, has never waned. Unlike other legends of the era like Daniel Boone, Davy Crockett, and Kit Carson, Colter has remained elusive because he left not a single letter, diary, or reminiscence. Gathering the available evidence and guiding readers through a labyrinth of hearsay, rumor, and myth, two Colter experts for the first time tell the whole story of Colter and his legend.
Mountain Man
“If you seek vicarious adventure, these pages await the armchair explorer.” —Providence Journal In 1804, John Colter set out with Meriwether Lewis and William Clark on the first US expedition to traverse the North American continent. During the 28- month ordeal, Colter served as a hunter and scout, and honed his survival skills on the western frontier. But when the journey was over, Colter stayed behind. He spent two more years trekking alone through dangerous and unfamiliar territory, charting some of the West’s most treasured landmarks. Historian David W. Marshall crafts this captivating history from Colter’s primary sources, and has retraced Colter’s steps— experiencing firsthand how he survived in the wilderness (how he pitched a shelter, built a fire, followed a trail, and forded a stream)— adding a powerful layer of authority and detail.
Great Duty
English-Canadian cultural critics from across the political spectrum championed self-improvement, self-awareness, and lively engagement with one's surroundings, struggling to find a balance between the social benefits of democracy and modernization and what they considered the debilitating influence of the accompanying mass culture. They used print and broadcast media in an attempt to convince Canadians that choosing wisely between varieties of culture was an expression of personal and national identity, making cultural nationalism in Canada a "middlebrow" project. As Kuffert argues, "if English Canadians are today more familiar with the ways in which modern life and mass culture envelop and define them, if they live in a nation where private citizens and cultural institutions view the media as avenues of entertainment, as businesses, or as the means to construct identity, they should be aware of the role of wartime and post-war cultural critics" in creating those orientations toward culture.
