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“Map[s] the shifting definitions of gender and masculinity . . . provides the rare insight into the world of bodybuilding that only an insider could offer.” —Sport in American History For most of the twentieth century, the “Mr. America” image epitomized muscular manhood. From humble beginnings in 1939 at a small gym in Schenectady, New York, the Mr. America Contest became the world’s premier bodybuilding event over the next thirty years. Rooted in ancient Greek virtues of health, fitness, beauty, and athleticism, it showcased some of the finest specimens of American masculinity. Interviewing nearly one hundred major figures in the physical culture movement (including twenty-five ...
In a career spanning three decades, weightlifter Tommy Kono won three Olympic medals and eight world championships, captured 11 U.S. national and three Pan-American titles, and set 26 world records--all before the advent of steroids. A Nisei American, Kono was interned at Tule Lake, California, during World War II. Weighing only 105 pounds at age 14 and suffering from asthma, he began competing at a time of heightened racial and political prejudice against Asians, and in an era predating modern coaching techniques, nutritional aids and training facilities. This definitive biography covers the life and career of an exceptional athlete who defied disadvantage and achieved international renown.
John Fair and David Chapman tell the story of how filmmakers use and manipulate the appearance and performances of muscular men and women to enhance the appeal of their productions. The authors show how this practice, deeply rooted in western epistemological traditions, evolved from the art of photography through magic lantern and stage shows into the motion picture industry, arguing that the sight of muscles in action induced a higher degree of viewer entertainment. From Eugen Sandow to Dwayne “The Rock” Johnson, muscular actors appear capable of performing the miraculous, and with the aid of stuntmen and filming contrivances, they do. By such means, muscles are used to perfect the art of illusion, inherent in movie-making from its earliest days.
This unique book addresses the under-analyzed subject of internal migration in American historiography by showing the impact of eight generations of a family from New England on the development of Southern Georgia from the eighteenth to the end of the twentieth centuries. Focusing on cross-regional influences, The Tifts of Georgia sheds new light on such traditional topics as paternalism, cultural assimilation, and race relations. Originally from Mystic, Connecticut, the Tifts migrated to Key West, Florida, where they profited from the wrecking trade, set up business operations at various points along the eastern coast of the United States, and eventually made a significant impact on some of...
Her employers are the high priests of Las Vegas and she is their handmaiden. Her job is to lead the lambs to the sacrifice, to keep them happy at the tables, where her partners slaughter the suckers. She longs to be free of the entertainers rubbing elbows with thugs at the craps tables, the divorcées hocking their jewels next to all-night marriage chapels, and the little white balls bouncing along the roulette wheels twenty-four hours a day. But no matter how hard she tries to escape her past, she's fated to be caught for ever backstage in the sick glitter of the infamous strip with nothing but sand and neon and money, money, everywhere.
Am I Loved? is a thought-provoking, beautifully written book which explores the human condition from an entirely original perspective. It continues where Richard Dawkins and Steven Pinker left off presenting a carefully evidenced understanding of life which is ground breaking in its implications. The blend of philosophy and psychology theory takes the reader on a unique journey. It provides a new understating of a universal experience which was previously hardly understood at all.
Using a long questionnaire and in-depth interviews, Hochschild examines the ideals and contemporary practices of Americans on the subject of distributive justice, and discovers neither the rich nor the nonrich support the downward redistribution of wealth.
In this beautifully written, vividly rendered memoir, John Haney, Gourmet magazine’s copy chief, describes his family’s day-to-day struggles, from the twilight of Queen Victoria’s reign to the dawn of the third millennium, in London’s least affluent working-class enclaves and suburbs, including a place called the Isle of Dogs–and reflects on how his family’s affection for the past and the food they loved brought them all together. As a young John grows up in the fifties and sixties, the Haneys are a rough-and-tumble clan of bus drivers, telegraph operators, salesmen, junior civil servants, and secretaries. They work hard to put meals on the table and a shilling in the gas meter. ...
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