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The heritage of literature in the French language is rich, varied, and extensive in time and space; appealing both to its immediate public, readers of French, and also to a global audience reached through translations and film adaptations. The first great works of this repertory were written in the twelfth century in northern France, and now, at the beginning of the twenty-first century, include authors writing in many parts of the world, ranging from the Caribbean to Western Africa. French Literature: A Very Short Introduction introduces this lively literary world by focusing on texts - epics, novels, plays, poems, and screenplays - that concern protagonists whose adventures and conflicts r...
Not Just George John Lyons may be best known for his role as George Toolan on the long-running and critically acclaimed drama 'Touch of Frost.' But his life and his acting career spans much further. On advice from a fellow footballer, Tom Duncan, John reluctantly approached a new drama school. Following an odd audition and three years of school, he was off into the world of showbiz. A Long and Varied Career John has had a long and varied career, and unlike many actors, he's managed to work the entire time. From the small stage and pantos to both the small and the big screen, John has delighted audiences for years and still continues to do so today. This is a story of love, luck, passion, and heartwarming stories of the life of one of the most prolific actors of our time, John Lyons, in his own words. You'll laugh, you'll cry, and you won't want to stop reading until the final page.
A fresh and comprehensive account of the literature of France, from medieval romances to twenty-first-century experimental poetry and novels.
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.
A study of the practice of vivid, self-directed imagination in the optimistic spirit of the early-modern French writers.
In the Renaissance and early modern periods, there were lively controversies over why things happen. Central to these debates was the troubling idea that things could simply happen by chance. In France, a major terrain of this intellectual debate, the chance hypothesis engaged writers coming from many different horizons: the ancient philosophies of Epicurus, the Stoa, and Aristotle, the renewed reading of the Bible in the wake of the Reformation, a fresh emphasis on direct, empirical observation of nature and society, the revival of dramatic tragedy with its paradoxical theme of the misfortunes that befall relatively good people, and growing introspective awareness of the somewhat arbitrary ...
The first closely historicized study of the relationship between Gothic architecture and Gothic and Romantic literature.
A 1981 introduction to linguistics and the study of language, for beginning students and readers with no previous knowledge or training in the subject.
In The Dark Thread, scholars examine a set of important and perennial narrative motifs centered on violence within the family as they have appeared in French, English, Spanish, and American literatures. Over fourteen essays, contributors highlight the connections between works from early modernity and subsequent texts from the eighteenth through the twentieth centuries, in which incidents such as murder, cannibalism, poisoning, the burial of the living, the failed burial of the dead, and subsequent apparitions of ghosts that haunt the household unite “high” and “low” cultural traditions. This book questions the traditional separation between the highly honored genre of tragedy and the less respected and generally less well-known genres of histoires tragiques, gothic tales and novels, and horror stories. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Studying the relationship between tragedy and history in early modern France, this book focuses on the work of Pierre Corneille, who was more insistent on the importance of this relationship than any of the other playwrights of the period. The writing of a tragedy takes place within a social context that deeply influences what constitutes "history", "tragedy", "authority", and "poetics". Yet such concepts are also practices that in turn shape the society in which they occur. We cannot look to drama for a kind of fossilized footprint or photographic plate of the period in which a play was written, nor can we assume that a playwright's images are simple escapes from a reality outside the theat...