You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This text was the first full study of the origins and authorship of A Lover's Complaint.
In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has c...
Main description: The volume presents a cultural history of renaissance rhetoric with special emphasis on literary theory with its aspects of imagination (inventio), generictheory (dispositio), style (elocutio), mnemonic architecture (memoria), representation (actio) (with Shakespeare's works as illustrations). Special attention is given to the intermedial rhetoric of painting and music and the rhetorical ideology of culture.
This play by the famous dramatist was first performed at the Coliseum Theatre in London at the beginning of 1918. It was a one-act set in an imaginary country not so different from Russia. Shaw was influenced by the Russian Revolution of a few years earlier.
None
None