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Established in 1968, John Fuller's Sycamore Press was an important independently run press that published some of the most influential and critically acclaimed writers of the past half-century. In addition to publishing established authors, such as W. H. Auden, Philip Larkin, and Peter Porter, the press sought to promote young poets, many of whom have gone on to achieve great success. The Sycamore Press ceased operations in 1992, but it remains an excellent example of the unique qualities associated with the small press movement in England.John Fuller & the Sycamore Press: A Bibliographic History explores the press's rich history on several levels. In addition to a full descriptive bibliography of all Sycamore Press publications, the book also includes a foreword by John Fuller and transcript of an interview conducted with John Fuller on 31 March 2007. Supplementing the descriptive bibliography are numerous personal reflections written by Sycamore Press authors about John Fuller, the press, and the works it produced.
Siskiyou County Library has vol. 1 only.
The Louisiana 12th Infantry Regiment completed its organization at Camp Moore, Louisiana, in August, 1861. Its companies were from the parishes of Caldwell, Claiborne, Vermilion, Cameron, Calcasieu, Jackson, Ouachita, Bossier, and Iberia. Sent to Missouri, the unit was captured at Island No. 10 in April, 1862. After being exchanged, it was assigned to Rust's, Buford's, T.M. Scott's, and Lowry's Brigade. It fought at Champion's Hill and Jackson before participating in the campaigns of the Army of Tennessee from Resaca to Bentonville. In July, 1862, the unit contained 41 officers and 546 men, reported 11 killed, 57 wounded, and 5 missing out of the 318 engaged at Peach Tree Creek, lost many during Hood's Tennessee Campaign, and surrendered with only a remnant on April 26, 1865. Its commanders were Colonel Thomas M. Scott; Lieutenant Colonels James A. Boyd, Wade H. Hough, Noel L. Nelson, and Thomas C. Standifer; and Majors John C. Knott and Henry V. McCain.
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During their active lives, scientific instruments generally inhabit the laboratory, observatory, classroom or the field. But instruments have also lived in a wider set of venues, as objects on display. As such, they acquire new levels of meaning; their cultural functions expand. This book offers selected studies of instruments on display in museums, national fairs, universal exhibitions, patent offices, book frontispieces, theatrical stages, movie sets, and on-line collections. The authors argue that these displays, as they have changed with time, reflect changing social attitudes towards the objects themselves and toward science and its heritage. By bringing display to the center of analysis, the collection offers a new and ambitious framework for the study of scientific instruments and the material culture of science. Contributors are: Amy Ackerberg-Hastings, Silke Ackermann, Marco Beretta, Laurence Bobis, Alison Boyle, Fausto Casi, Ileana Chinnici, Suzanne Débarbat, Richard Dunn, Inga Elmqvist-Söderlund, Ingrid Jendrzejewski, Peggy A. Kidwell, Richard Kremer, Mara Miniati, Richard A. Paselk, Donata Randazzo, Steven Turner.