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Containing sixteen essays and a substantial introduction by noted historians of premodern science, this book provides a fresh look at divergent yet complementary traditions of interpreting the natural world, ranging from Greek mechanics to early modern Chinese theories of dragons.
Written in honor of John E. Murdoch's seventieth birthday, the essays collected here focus on the interpretation of ancient and scientific texts not just as isolated intellectual productions but as responses to particular settings or contexts.
Written in honor of John E. Murdoch's seventieth birthday, the essays collected here focus on the interpretation of ancient and scientific texts not just as isolated intellectual productions but as responses to particular settings or contexts.
How was magic practiced in medieval times? How did it relate to the diverse beliefs and practices that characterized this fascinating period? This much revised and expanded new edition of Magic in the Middle Ages surveys the growth and development of magic in medieval Europe. It takes into account the extensive new developments in the history of medieval magic in recent years, featuring new material on angel magic, the archaeology of magic, and the magical efficacy of words and imagination. Richard Kieckhefer shows how magic represents a crossroads in medieval life and culture, examining its relationship and relevance to religion, science, philosophy, art, literature, and politics. In surveying the different types of magic that were used, the kinds of people who practiced magic, and the reasoning behind their beliefs, Kieckhefer shows how magic served as a point of contact between the popular and elite classes, how the reality of magical beliefs is reflected in the fiction of medieval literature, and how the persecution of magic and witchcraft led to changes in the law.
Collected Works Vol. 1: The Two-Fold Knowledge: Readings on the Knowledge of Self and the Knowledge of God Vol. 2: Pater Bernhardus: Martin Luther and Bernard of Clairvaux Vol. 3: Luther’s Catholic Christology According to His Johannine Lectures of 1527
The Cambridge Companion to Christian Mysticism is a multi-authored interdisciplinary guide to the study of Christian mysticism, with an emphasis on the 3rd through the 17th centuries. Written by leading authorities and younger scholars from a range of disciplines, the volume both provides a clear introduction to the Christian mystical life and articulates a bold new approach to the study of mysticism.
The articles in The Modern Experience of the Religious, edited by Nassim Bravo and Jon Stewart, explore the many ways in which religion was impacted by the emergence of modernity, particularly after the Enlightenment, which underscored the centrality of human reason and thus called into question traditional forms of religiosity. Modernity raised several questions that are studied by the authors of this volume: What should be the role of religion in a secular or pluralistic society? How does the human being relate to God? Can instituted religion be compatible with modern values such as civil liberties, pluralism or environmentalism?
DIVRealigns representational practices in the early Middle Ages with current debates on representation /div
This volume explores the mathematical character of architectural practice in diverse pre- and early modern contexts. It takes an explicitly interdisciplinary approach, which unites scholarship in early modern architecture with recent work in the history of science, in particular, on the role of practice in the “scientific revolution”. As a contribution to architectural history, the volume contextualizes design and construction in terms of contemporary mathematical knowledge, attendant forms of mathematical practice, and relevant social distinctions between the mathematical professions. As a contribution to the history of science, the volume presents a series of micro-historical studies that highlight issues of process, materiality, and knowledge production in specific, situated, practical contexts. Our approach sees the designer’s studio, the stone-yard, the drawing floor, and construction site not merely as places where the architectural object takes shape, but where mathematical knowledge itself is deployed, exchanged, and amplified among various participants in the building process.