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An Annotated Catalogue of the Edward C. Atwater Collection of American Popular Medicine and Health Reform
This is a catalogue of the Edward C. Atwater Collection of rare books dealing with 'popular medicine' in early America which is housed at the University of Rochester Medical School library. The books described in the catalogue were written by physicians and other professionals to provide information for the non-medical audience. The books taught human anatomy, hygiene, temperance and diet, how to maintain health, and how to cope with illness especially when no professional help was available. The books promoted a healthy lifestyle for the readers, giving guidance on everything from physical fitness and recreation to the special health needs of women. The collection consists of works dealing with reproduction (from birth control to delivering and caring for a baby), venereal disease, home-nursing, epidemics, and the need for public sex education.
Remains Historical & Literary
Reprint of the original, first published in 1874.
The Admission Register of the Manchester School
Reprint of the original, first published in 1868.
John Henry and His People
The song "John Henry," perhaps America's greatest folk ballad, is about an African-American steel driver who raced and beat a steam drill, dying "with his hammer in his hand" from the effort. Most singers and historians believe John Henry was a real person, not a fictitious one, and that his story took place in West Virginia--though other places have been proposed. John Garst argues convincingly that it took place near Dunnavant, Alabama, in 1887. The author's reconstruction, based on contemporaneous evidence and subsequent research, uncovers a fascinating story that supports the Dunnavant location and provides new insights. Beyond John Henry, readers will discover the lives and work of his people: Black and white singers; his "captain," contractor Frederick Dabney; C. C. Spencer, the most credible eyewitness; John Henry's wife; the blind singer W. T. Blankenship, who printed the first broadside of the ballad; and later scholars who studied John Henry. The book includes analyses of the song's numerous iterations, several previously unpublished illustrations and a foreword by folklorist Art Rosenbaum.
