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"John Gage's Color and Meaning is full of ideas. . .He is one of the best writers on art now alive."--A. S. Byatt, Booker Prize winner
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An encyclopaedic work on color in Western art and culture from the Middle Ages to Post-Modernism.
Phineas Gage was truly a man with a hole in his head. Phineas, a railroad construction foreman, was blasting rock near Cavendish, Vermont, in 1848 when a thirteen-pound iron rod was shot through his brain. Miraculously, he survived to live another eleven years and become a textbook case in brain science. At the time, Phineas Gage seemed to completely recover from his accident. He could walk, talk, work, and travel, but he was changed. Gage "was no longer Gage," said his Vermont doctor, meaning that the old Phineas was dependable and well liked, and the new Phineas was crude and unpredictable. His case astonished doctors in his day and still fascinates doctors today. What happened and what didn't happen inside the brain of Phineas Gage will tell you a lot about how your brain works and how you act human.
The complex phenomenon of colour has received detailed attention from the perspectives of physics, chemistry, physiology, psychology, linguistics and philosophy. However, the people who work most closely with colour artists have rarely been canvassed for their opinions on this mysterious subject.John Gage sets out to address this omission by focusing on the thoughts and practices of artists. Colour in Art is concerned with the history of colour, but is not itself a history; instead each chapter develops a theme from a different scientific discipline, as seen from the viewpoint of such diverse artists such as Wassily Kandinsky, Vincent van Gogh, Sonia Delaunay, Bridget Riley and Clifford Possum Tjapaltjarri. Drawing on examples through the ages, from ancient times to the present, the many topics covered include flags, synaesthesia, Theosophy, theatre design, film, chromotherapy and chromophobia.Featuring a new foreword by art writer Kelly Grovier outlining contemporary developments in the study of colour, and an updated bibliography, this new edition of this classic text offers a wide-ranging and engaging introduction to the place and power of colour in life and art.
This timely volume provides a comprehensive account of the natural history of the organisms associated with the deep-sea floor and examines their relationship with this inhospitable environment--perhaps the most remote and least accessible location on the planet. The authors begin by describing the physical and chemical nature of the deep-sea floor and the methods used to collect and study its fauna. Then they discuss the ecology of the deep sea by exploring spatial patterns, diversity, biomass, vertical zonation, and large-scale distribution of organisms. Subsequent chapters review current knowledge of feeding, respiration, reproduction, and growth processes in these communities. The unique fauna of hypothermal vents and seeps are considered separately. Finally, there is a pertinent discussion of human exploitation of deep-sea resources and potential use of this environment for waste disposal.