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John Clare and Community
John Clare (1793–1864) is one of the most sensitive poetic observers of the natural world. Born into a rural labouring family, he felt connected to two communities: his native village and the Romantic and earlier poets who inspired him. The first part of this study of Clare and community shows how Clare absorbed and responded to his reading of a selection of poets including Chatterton, Bloomfield, Gray and Keats, revealing just how serious the process of self-education was to his development. The second part shows how he combined this reading with the oral folk-culture he was steeped in, to create an unrivalled poetic record of a rural culture during the period of enclosure, and the painful transition to the modern world. In his lifelong engagement with rural and literary life, Clare understood the limitations as well as the strengths in communities, the pleasures as well as the horrors of isolation.
John Clare
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Class and the Canon
Examining how labouring-class poets constructed themselves and were constructed by critics as part of a canon, and how they situated their work in relation to contemporaries and poets from earlier periods, this book highlights the complexities of labouring-class poetic identities in the period from Burns to mid-late century Victorian dialect poets.
Enterprising Images
The story of the most prolific African American photographers in North America. From its beginnings in York, Pennsylvania, in 1847, until the death of Wallace L. Goodridge in Saginaw, Michigan, in 1922, the Goodridge Brothers Studio was the most significant and enduring African American photographic establishment in North America. In Enterprising Images, John Vincent Jezierski tells the story of one of America's first families of photography, documenting the history of the Goodridge studio for three-quarters of a century. The existence of more than one thousand Goodridge photographs in all formats and the family's professional and personal activism enrich the portrait that emerges of this extraordinary family. Weaving photographic and regional history with the narrative of a family whose lives paralleled the social and political happenings of the country, Jezierski provides the reader with a complex family biography for those interested in regional and African American, as well as photographic, history.
Literature and Popular Culture in Early Modern England
1978 witnessed the publication of Peter Burke's groundbreaking study Popular Culture in Early Modern Europe. Now in its third edition this remarkable book has for thirty years set the benchmark for cultural historians with its wide ranging and imaginative exploration of early modern European popular culture. In order to celebrate this achievement, and to explore the ways in which perceptions of popular culture have changed in the intervening years a group of leading scholars are brought together in this new volume to examine Burke's thesis in relation to England. Adopting an appropriately interdisciplinary approach, the collection offers an unprecedented survey of the field of popular cultur...
Robert Bloomfield, Romanticism and the Poetry of Community
Robert Bloomfield, whom John Clare described as 'the most original poet of the age,' was a widely read and critically acclaimed poet throughout the first decade of the nineteenth century, and remained popular until the beginning of the twentieth century. Yet until now, no modern critic has undertaken a full-length study of his poetry and its contexts. Simon J. White considers the relationship between Bloomfield's poetry and that of other Romantic poets. For example, her argues that Wordsworth's poetics of rural life was in some respects a response to Bloomfield's The Farmer's Boy. White considers Bloomfield's emphasis on the importance of local tradition and community in the lives of labouri...
The Cambridge Companion to English Literature, 1740-1830
This volume offers an introduction to British literature that challenges the traditional divide between eighteenth-century and Romantic studies. Contributors explore the development of literary genres and modes through a period of rapid change. They show how literature was shaped by historical factors including the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. The wide scope of the collection, juxtaposing canonical authors with those now gaining new attention from scholars, makes it essential reading for students of eighteenth-century literature and Romanticism.
Churchyard Poetics
The familiar literary-critical category of 'graveyard poetry' has made the eighteenth-century churchyard a commonplace in the period's cultural imaginary: a location in which melancholy, religious poets get lost in imaginative reveries or didactic visions of the afterlife. By contrast, Churchyard Poetics: Landscape, Labour, and the Legacy of Genre shows how the churchyard takes on a new shape and a fresh importance for a counter-tradition of women and labouring-class poets, for whom this landscape is a resting place with no closure. In work by Mary Leapor, Ann Yearsley, Charlotte Smith, and John Clare-but also for Robert Blair, Thomas Gray, and William Wordsworth-the churchyard emerges as a ...
The Collected Poems of Henry Kirke White
This book is the first-ever scholarly edition of one of the bestselling and most revered poets in the nineteenth century—a poet excluded from the canon by twentieth-century critics. A poor youth who died early from tuberculosis, Kirke White shaped the popular image of the Romantic artist as a young rebel against convention who is too sensitive to survive in the harsh commercial world. As a prodigy who made his incipient death the subject of his tragic poetry, he was influential on both sides of the Atlantic—on Keats, Byron, Shelley, Browning, Emerson and Bryant. The edition restores his powerful, macabre and prophetic verse to attention, and also demonstrates his variety and range. It includes a comprehensive introduction discussing the creation of his public image, the marketing of his poetry, and the impacts he made on nineteenth-century poetry, on labouring-class writing and on publishing history.
