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Richly illustrated with exquisite manuscript maps and editions from celebrated European cartographic publishers of 17th century to familiar contemporary products such as tourist maps. Discover the stories behind these maps, the technological changes in map making and changes in human knowledge and representation of the world.
Explores the connections between nineteenth century imperial anthropology, racial 'science' and the imposition of colonising governance on the Aborigines of Port Phillip/Victoria between 1835 and 1888.
The Emerging Role of Geomedia in the Environmental Humanities, edited by Mark Terry and Michael Hewson, provides the latest scholarship on the various methods and approaches being used by environmental humanists to incorporate geomedia into their research and analyses. Chapters in the book examine such applications as geographic information systems, global positioning systems, geo-doc filmmaking, and related geo-locative systems all being used as new technologies of research and analysis in investigations in the environmental humanities. The contributors also explore how these new methodologies impact the production of knowledge in this field of study as well as promote the impact of First Nation people perspectives.
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Sounding 1: BEFORE 1840 The notes, journals and characters of Aboriginal Protectors William Thomas and his Chief George Robinson form the backbone of this compilation. With this ethnographic material we learn something of the Kulin worldview into this mostly white-fella history. Sounding 1: Before 1840 describes the initial British and European experiences, events, observations, intentions, self-serving judgements, ignorance, naivete, treachery and so on when they found Oz and proclaimed the continent theirs by the now obvious fiction of terra nullius – Latin legalese for ‘land belonging to no people’. The reader may enjoy separating the grains of truth from the chaff propaganda of Emp...
Includes its Papers.
This volume of original essays brings together, for the first time, histories of the making and of the makers of most of the major Indigenous Australian museum collections. These collections are a principal source of information on how Aboriginal people lived in the past. Knowing the context in which any collection was created-the intellectual frameworks within which the collectors were working, their collecting practices, what they failed to collect, and what Aboriginal people withheld-is vital to understanding how any collection relates to the Aboriginal society from which it was derived. Once made, collections have had mixed fates: some have become the jewel of a museum's holdings, while others have been divided and dispersed across the world, or retained but neglected. The essays in this volume raise issues about representation, institutional policies, the periodisation of collecting, intellectual history, material culture studies, Aboriginal culture and the idea of a 'collection'.