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Jack Swanson's autobiographical fast-paced book that powerfully captures the "art fever" that enthralled the American public over the past two decades. Swanson, a colorful entrepreneur & great storyteller, recalls his reckless youth in South Texas, Marine Corp days in the Far East, the opening of his own gallery chain at the age of twenty-eight, & his twenty-five years in the art gallery business. CONFESSIONS OF AN ART DEALER carefully reflects an insider's view into the art world combined with a firsthand account of the billion dollar Salvador Dali art fraud. Swanson's style is funny, provocative & uplifting as he tells of his romantic exploits laced with revealing tales about the changing ...
Gloria Swanson is most remembered today for her role as “Norma Desmond” in Billy Wilder’s noir sound classic Sunset Boulevard (1950), but Swanson during her heyday was heralded as filmdom’s leading fashion queen, as proclaimed by director Cecil B. DeMille in such silent motion pictures as Male and Female (1919), Why Change Your Husband (1921), and The Affairs of Anatol (1922). Throughout that decade and well into the 1930s, Swanson set fashion standards on and off the screen in creations designed by such illustrious couturieres as Mitchell Leisen, Paul Iribe, Norman Norell, Sonia Delaunay, Max Ree, Capt. Edward H. Molyneux, Coco Chanel, Rene Hubert, and later Edith Head. In the 1950s...
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The late Van Slayden trained on the PT-3 kite-like biplane in 1937, but he learned fighter pilot operations flying "by the seat of his pants," walking away from five crashes. Shortly after the invasion of Normandy, he landed on Utah Beach to help establish a US Army Air Forces' (AAF's) presence in Europe. He flew the P-47 Thunderbolt, a fighter-bomber, in combat over Northern France and commanded the 36th Fighter Group-the "Fightin' 36th- at Batogne, St. Vith, the Bridgehead at Remagen, Operations Grenade, Clarion, Varsity and other missions. His 22nd Fighter Squadron was the first in the AAF to land voluntarily on German soil. He was deep into Germany when the Nazis surrendered on May 8, 1945, which was remarkably anticlimactic. Van Slayden, a country boy from rural Tennessee, like so many of his contemporaries, stepped up to the challenge as part of the Greatest Generation.
After two decades of remarkable success, the quest to create a uniquely American classical music faltered in the 1950s. Many blamed the Cold War for its demise, but the conflict also brought Americanist composers unprecedented opportunities. This book examines this complex picture and its long-term effects.
Including an international directory of museum permanent collection catalogs.