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This book brings together three interconnected works from the 1970s, showcasing how three of the most significant figures in radical British poetry of the late 20th century responded to one another's work.
Winner of the Max Ritvo Poetry Prize: A “luminous [and] memorable” debut that searches widely to ask what it means to exist in a state of loss (Publishers Weekly). “We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy. These are poems of frequent swerves and transformations, which never...
In the second century AD, a Greek nobleman is travelling and living abroad in Germany while carrying on an affair with a military man's wife. When discovered, he takes an emergency business trip to save his life and packs amongst his belongings certain items that lead the people he encounters to think him a Norse God, a fortuitous point of view which he does little to dispel. Forced to keep up the pretence of being a god while staying one step ahead of his lover's jealous husband, Photinus must juggle the severity of his situation with the enjoyment of being a god. Published here with its sequel, NOT FOR ALL THE GOLD IN IRELAND and companion volume MEN WENT TO CATTREATH, VOTAN is one of the highpoints of modern fantasy.
John James Audubon came to America as a dapper eighteen-year-old eager to make his fortune. He had a talent for drawing and an interest in birds, and he would spend the next thirty-five years traveling to the remotest regions of his new country–often alone and on foot–to render his avian subjects on paper. The works of art he created gave the world its idea of America. They gave America its idea of itself. Here Richard Rhodes vividly depicts Audubon’s life and career: his epic wanderings; his quest to portray birds in a lifelike way; his long, anguished separations from his adored wife; his ambivalent witness to the vanishing of the wilderness. John James Audubon: The Making of an American is a magnificent achievement.
The Elis James and John Robins' Show has become cult listening, and that cult has registered for charitable status, published quarterly accounts and been given a full blessing by the Archbishop of Broadcasting. It's official: Elis and John are a religion, and this book is their Holy Vible. Have you ever failed to Keep It Session? Is your new flatmate a complete coin? Have you ever eaten Space Raiders on the toilet and written 'Grief Is Living' in your journal? Then this book is for you. If not, don't worry, it won't be long before you're making up games, looking at Freddie, or facing your own personal farthing-gate. Our obsessions make us what we are, and though you may never have addressed a will to Brian May or cried watching Ronnie O' Sullivan make a 147, you'll have done something similar, and Elis and John are here to tell you that you're not weird, so come on in, and taste the vibe! Or should I say, READ the vibe!
We need a bigger vision for the city. Pastors Neil Powell and John James contend that to truly transform a city, the gospel compels us to create localized, collaborative church planting movements. The more willing we are to collaborate across denominations and networks, the more effectively we will reach our communities—whatever their size—for Jesus.
John James tells his autobiographical account of his experience inside his abusive relationship and the aftermath of that, including his battle with PTSD and depression, medication and therapy and his rebirth as a new man. It is sometimes beautiful, sometimes sad, sometimes brutal but always honest. It is the story of the hidden side of abuse, that of a male victim. This book says, no more silence, it's time to speak out.
James' analysis of Chartres is likely to be the best and most detailed we shall have.' JOURNAL OF ARCHITECTURAL HISTORIANS The great cathedral of Chartres is the most impressive and exciting building surviving from the middle ages, andis preserved almost intact. Yet we know nothing of the men who created it. John James, in this masterpiece of detection, shows how he came to identify the master masons from the stones themselves. His meticulous `reading' of the cathedral has revealed much about those men: how they solved problems of engineering and design, how they raised two-ton stones forty metres into the air, and how one mason controlled over 300 men in this gigantic workshop. JOHN JAMES is an Australian architect. His first visit to Chartres, in 1969, led to a continuing passion for the early Gothic buildings of northern France, and he has been `reading their stones' ever since.