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Renaissance Drama on the Edge
Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.
Andrew Marvell's Liminal Lyrics
Andrew Marvell's Liminal Lyrics: The Space Between is an interdisciplinary study of the major lyric poems of seventeenth-century British metaphysical poet Andrew Marvell. The poet and his work have generally proven enigmatic to scholars because both refuse to fit into normal categories and expectations. This study invites Marvell readers to view the poet and some of his representative lyrics in the context of the anthropological concept of liminality as developed by Victor Turner and enriched by Arnold Van Gennep, Jacques Lacan, and other observers of the in-between aspects of experience. The approach differs from previous attempts to “explain” Marvell in that it allows multidisciplinary...
Marvell's Ambivalence
A fresh reading of Marvell's most important works, exploring the variety and complexity of his approaches to contemporary religious and political events. Andrew Marvell's celebrated poetic ambivalence to the philosophical, political and religious controversies of mid-seventeenth century England is the subject of this book, which includes major new historical readings of his most important lyrics and political verse, incorporating material from hitherto unpublished contemporary manuscripts. It places the poetic imagination of Marvell and his contemporaries - such as John Milton, Henry Vaughan, Abraham Cowley, Margaret Cavendish, William Davenant, and Thomas Fairfax - into the context of the turbulent public events of the time; and demonstrates Marvell's hitherto unnoticed connection with the liberal, rational and sceptical thinkers associated with the Great Tew circle. It also argues that Marvell's "middle way" in theology is bound up with his ambivalence towards the Calvinist God. Takashi Yoshinaka took his D.Phil. at the University of Oxford, and is Professor of English in the Graduate School of Letters, Hiroshima University.
Centered on the Word
The preoccupation of the English Church with the word of scripture during Elizabethan and Jacobian times had both powerful and subtle effects of the literature produced during and immediately after that period, say scholars of English from North America and the Antipodes. They examines works from the 1590s--the last decade of Elizabeth's reign, to 1652--just after the death of Charles I--by both well known and little known authors. Distributed by Associated University Presses. Annotation ♭2004 Book News, Inc., Portland, OR (booknews.com).
Grief and Women Writers in the English Renaissance
This book examines the way in which early modern women writers conceived of grief and the relationship between the dead and the living.
Mets Fan
This collection of well-crafted essays spans more than 40 years of franchise history but hews to a single theme: the experience--sometimes humorous, sometimes painful--of being a fan of the New York Mets. From the sound of jets overhead to Keith Hernandez and the Seinfeld connection, Hofstra professor Dana Brand writes about the experiences and lore that make baseball in Queens unique. Mets fans will recognize themselves in this book, and everyone who enjoys great baseball writing will delight in the reading.
Echoes of Desire
No detailed description available for "Echoes of Desire".
Revenge of the Aesthetic
This cutting-edge collection of essays showcases the work of some of the most influential theorists of the past thirty years as they grapple with the question of how literature should be treated in contemporary theory. The contributors challenge trends that have recently dominated the field--especially those that emphasize social and political issues over close reading and other analytic methods traditionally associated with literary criticism. Written especially for this collection, these essays argue for the importance of aesthetics, poetics, and aesthetic theory as they present new and stimulating perspectives on the directions which theory and criticism will take in the future. In addition to providing a selection of distinguished critics writing at their best, this collection is valuable because it represents a variety of fields and perspectives that are not usually found together in the same volume. Michael Clark's introduction provides a concise, cogent history of major developments and trends in literary theory from World War II to the present, making the entire volume essential reading for students and scholars of literature, literary theory, and philosophy.
Romeo and Juliet
For this updated critical edition of Romeo and Juliet, Hester Lees-Jeffries has written a completely new introduction. It draws on recent research in theatre to set Romeo and Juliet in its mid-1590s context, making connections with other plays by Shakespeare and other literature of the period, as well as with the social and cultural contexts of the day, with discussions of London and Italy, dancing and duelling, marriage, gender and sexuality. It includes detailed discussion of the play in performance from the Restoration to the present day, with a particular focus on film (including global cinema), music and dance, and also explores other adaptations and afterlives, including young-adult fiction. The edition retains the commentary and Textual Analysis of the previous editor, G. Blakemore Evans; the Textual Analysis is prefaced with a short note contextualising its conclusions in the light of more recent research.
How Shakespeare Put Politics on the Stage
The politics of virtue -- Honour and its enemies: women on top - again -- Anti-popery -- Divided we fall: the politics of faction in time of war -- CHAPTER 6 Richard III: political ends, providential means -- The making of a Machiavel -- Monstrous bodies and providential signs -- Signs and prophecies -- The audience as 'high all- seer' -- Ambiguities of 'evil counsel' -- From providence to predestination: the return of legitimacy -- Richard III as a guide to the past, present and future -- CHAPTER 7 Going Roman: Richard III and Titus Andronicus compared
