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Blood In, Blood Out
For the first time, ex-convict John Lee Brook subjects the Aryan Brotherhood to a devastating exposé, revealing how the notorious white supremacist prison gang has become perhaps the most powerful criminal organization in America, an achievement much more remarkable considering that the majority of its members remain behind bars, and its infamous Commission-the folkloric threesome, Thomas ‘Terrible Tom’ Silverstein, Tyler ‘the Hulk’ Bingham and Barry ‘the Baron’ Mills-are kept in maximum-security solitary confinement, as the US government makes an open effort to subdue the organization by any means necessary. Despite these efforts, the Aryan Brotherhood continues to thrive, and Blood In, Blood Out demonstrates how a combination of Machiavelli, Nietzsche, meditation, secret codes, brutal violence and sheer will enable its buried puppet masters to continue to tug at the strings of an organization at the forefront of the black market trade in drugs, arms and money laundering. In Blood In, Blood Out, John Lee Brook provides both an extensive overview of the Aryan Brotherhood and a thrilling look at its untold recent history.
Summary of John Lee Brook's Blood In, Blood Out
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The US marshals that were sent to pick up the two men were from the Security Housing Unit, or the Hole, as it was known by those who worked and lived in it. The two men being transferred were Barry Byron Mills and Charles Manson. #2 The US marshals cuffed the Baron, and took him by force. The semi-easy-hard way was that they simply shot him with a Taser, and after he did the funky chicken for about thirty seconds, they searched his body cavities and bundled him up. #3 The Hulk was the second prisoner to be escorted to the van. He was partially stunned by the rapid blows to his head, but he roared and fought like a man possessed. The Tasers were switched off after thirty seconds. The Hulk was quickly stripped naked and his body cavities were examined with flashlights. #4 The convicts were placed in separate vans, and the Hulk and the Baron were escorted onto the plane. The deputy marshals were trained to remain detached and professional, regardless of the circumstances.
Killing God's Enemies:
Killing God's Enemies relates the origin, history and activities of the church of Christian Identity and its violent outgrowth called the Phineas Priesthood. In doing so, the book reveals the group's philosophy of hate; their methodology, which is death to all blacks, Jews, homosexuals and abortionists; and their goal, which is an America ruled by white men. The church of Christian Identity is a small and obscure religious denomination. Its radical arm— the Phineas Priesthood— barely registers on the radar screens of the general public's consciousness. That is, until it's too late. For the Phineas Priesthood is unlike any other priesthood. There is no seminary and no ordination. There is only one requirement: kill the enemies of God. Killing God's Enemies will tell the fantastic but true tale of how Christian Identity came to exist, where the idea of the Phineas Priesthood came from, relate the violent exploits of the Priesthood's lone warriors, and show how Anti-Semitism forms the fulcrum upon which Christian Identity pivots.
Blood+Death
The White Sister... The Bony Lady... The Godmother... The Pretty Girl... This is Santa Muerte, personification of death. A veiled skeleton with an unquenchable thirst for destruction, Santa Muerte is Mexico’s grim and vengeful goddess. She is worshipped by outcasts and sinners, those for whom the traditional Christian deities of Jesus and the Virgin Mary have no place. For the notorious drug cartels, Santa Muerte is venerated as the saint who does not judge. She provides divine protection against authority and from rival gangs, demanding human sacrifice in return. The cult of Santa Muerte has become inextricably linked to the Mexican cartels over the past decade, resulting in barbaric rituals that have escalated the tide of violence across the streets. Bodies of cartel members are executed en masse at Santa Muerte shrines, and rumors abound of even worse atrocities in the name of magical protection. This book is the story of unholy alliance, of drug gangs and Santa Muerte, and a galvanic passion for blood and death.
The Motion of the Moon
There is another reality. It exists in the surreal connection between life, music, stories, and cemeteries. The Motion of the Moon is a narrative of stories, or the story of stories and the story of songs, if you prefer, and biographical glosses of a few great people. And it's an examination of the cemeteries these great people ended up in.It's not a history, although it is based on historical facts. It's more like a subjective look back at what it means to be human and alive, and finally dead. It's the story of humanity's demand for a good story. And the story, yes indeed, includes cemeteries, because that's where the story ends for all of us. In a sly way, though, the end relates to the beginning of the story, to the life of the person. For the end is the reflection of the beginning.
Back Pain
Back Pain: The Facts is aimed at people who want to help themselves. Affecting nearly everyone at some time in their lives, 40% of people will have experienced some form of back pain within the last year, with around 5% of sufferers taking time off work within the last month. Long-term back pain causes a great deal of distress and unhappiness, affecting work life, income, home life, relationships, fitness and mood. Back Pain: The Facts uses clear, succinct chapters to give advice about every aspect of managing back pain, as well as answering frequently asked questions from sufferers. A key element is empowerment through understanding why back pain starts and why it persists. There are chapters promoting stretching, exercise, relaxation, communication, and advice on sexual relations, as well as considerable on emphasis on helping with thoughts and feelings.
In the Muddy Shoes of Morning
Say this of me, reader, after the voice-vanish of this life. I felt the joy of foolishness and in the muddy shoes of morning saw love.--John B. Lee.
Nazi Literature in the Americas
Mass-murdering authors. Writers at the head of a football-hooligan ring. A pilot who crafts his poetry in the sky. A tour de force of black humour and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of pan-American writers who espoused extreme right-wing ideologies in the 20th and 21st centuries. Terrifyingly witty and remarkably inventive, this is the virtuosic, one-of-a-kind masterpiece which brought Bolaño fame throughout the Spanish-speaking world. TRANSLATED BY CHRIS ANDREWS 'The best and weirdest kind of literary game... A strangely profound place to get lost’ Financial Times ‘A darkly comic celebration of the wilder horizons of writing, good, plodding, lunatic and terrible’ London Review of Books
Fighting the Last War
This book argues that the political and security threats posed by the domestic radical right in Western countries have been consistently exaggerated since 1945. This has allowed governments to justify censoring and repressing their political opponents, including many who cannot be fairly described as being affiliated with the radical right.
