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Maximum Accessibility
Written for Web developers this text provides the practical tools, design techniques, and testing methods to implement web accessibility standards without losing any of the functionality of a Web site.
The Savage's Romance
Concentrating on the work Marianne Moore produced during the first two decades of her long career (1915-36), John Slatin's closely documented account of Moore's poetic development affords a radically new sense of Moore's concerns and of her stature as a poet, countering the usual image of Moore as a charming eccentric whose work is unrelated to that of any other poet. Virtually everything Moore wrote responds in some way to the profound sense of isolation at the core of her sense of self, sometimes embracing isolation, but more often seeking desperately to overcome it. The young Moore was fiercely ambitious, stubbornly determined to make a place for herself within the literary community of h...
Modern Print Activism in the United States
The explosion of print culture that occurred in the United States at the turn of the twentieth century activated the widespread use of print media to promote social and political activism. Exploring this phenomenon, the essays in Modern Print Activism in the United States focus on specific groups, individuals, and causes that relied on print as a vehicle for activism. They also take up the variety of print forms in which calls for activism have appeared, including fiction, editorials, letters to the editor, graphic satire, and non-periodical media such as pamphlets and calendars. As the contributors show, activists have used print media in a range of ways, not only in expected applications such as calls for boycotts and protests, but also for less expected aims such as the creation of networks among readers and to the legitimization of their causes. At a time when the golden age of print appears to be ending, Modern Print Activism in the United States argues that print activism should be studied as a specifically modernist phenomenon and poses questions related to the efficacy of print as a vehicle for social and political change.
Scheming Women
This book uses post structuralist, psychoanalytic, and feminist theories to read the poetry of Dickinson, Moore, H.D., and Rich.
Quotation and Modern American Poetry
In this volume Elizabeth Gregory addresses a number of key issues surrounding the formation of the American poetic canon. Taking as her primary examples T. S. Eliot's Waste Land, William Carlos Williams' Paterson, and selected poems by Marianne Moore, she examines the ways in which modern American writers struggled with questions of literary authority and cultural identity in relation to pre-existing European models. Gregory focuses on these issues through analysis of the use of quotation in modern and postmodern literature, a practice that was strikingly divergent from the accepted use of literary allusion. Her introduction traces a history of quotation as it has been practiced in literatur...
National Endowment for the Humanities Annual Report
Includes appendices.
The End of Books--or Books Without End?
An exploration of the possibilities of hypertext fiction as art form and entertainment
Hypermedia and Literary Studies
The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts.Consider a work from Shakespeare. Imagine, as you read it, being able to call up instantly the Elizabethan usage of a particular word, variant texts for any part of the work, critical commentary, historically relevant facts, or oral interpretations by different sets of actors. This is the sort of richly interconnected, immediately accessible literary universe that can be created by hypertext (electronically linked texts) and hypermedia (the extension of linkages to visual and aural material). The essays i...
A Poem Containing History
A suggestive survey of new approaches to a twentieth-century classic
Poetry in the Museums of Modernism
How modernist writers experienced the Louvre, the British Museum, and the Museum of Natural History-and how these museums influenced their writing
