You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Disputing the common misconception that nihilism is wholly negative and necessarily damaging to the human spirit, John Marmysz offers a clear and complete definition to argue that it is compatible, and indeed preferably responded to, with an attitude of good humor. He carefully scrutinizes the phenomenon of nihilism as it appears in the works, lives, and actions of key figures in the history of philosophy, literature, politics, and theology, including Nietzsche, Heidegger, Camus, and Mishima. While suggesting that there ultimately is no solution to the problem of nihilism, Marmysz proposes a way of utilizing the anxiety and despair that is associated with the problem as a spur toward liveliness, activity, and the celebration of life.
Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centipede , this book re-emphasises the constructive potential of cinematic nihilism.
It seems so important as you do what you do, But in times to come no one remembers you. Your actions are forgotten and your feelings destroyed. You've become one with the nihilist void. Inspired by real-life events, as well as by classic philosophical novels such as Jean-Paul Sartre's Nausea, Albert Camus' The Stranger, Yukio Mishima's Confessions of a Mask, and Chuck Palahniuk's Fight Club, The Nihilist tells the story of a philosophy professor caught in the grips of nihilistic despair. Following the death of his mother and the increasingly bizarre deaths of his closest friends, the nameless main character is afflicted with a mysterious malady that forces him to confront the absurdity of his own meaningless existence. Brain parasites, scatological dreams, punk rock, and spontaneous human combustion appear alongside the ideas of Heraclitus, Socrates, Diogenes, Schopenhauer, Nietzsche and Heidegger. The result is a wryly humorous philosophical allegory of hopelessness and resignation in the face of the void.
This book analyzes Western and Chinese philosophical texts to determine why laughter and the comic have not been a major part of philosophical discourse. Katrin Froese maintains that many philosophical accounts of laughter try to unearth laughter's purpose, thereby rendering it secondary to the intentional and purposive aspects of human nature that impel us to philosophize. Froese also considers texts that take laughter and the comic as starting points, attempting to philosophize out of laughter rather than merely trying to unearth reasons for laughter. The book proposes that continuously unraveling philosophical assumptions through the comic and laughter may be necessary to live well.
The Path of Philosophy introduces college students to the study of philosophy through a compelling narrative in which the world's most important philosophers appear as characters. Framed by the concept of Wondrous Distress, the text traces the history of western philosophy from its beginnings in ancient Greece to contemporary developments in the modern world. Threads running through the text demonstrate how philosophy is unique and distinct from religion and science, while at the same time showing how all three disciplines are interrelated. Exceptionally well written, and unusual in its cohesiveness, the text leaves readers with a vivid picture of philosophy as a unique and important field of study. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Comic Relief: A Comprehensive Philosophy of Humor develops an inclusive theory that integrates psychological, aesthetic, and ethical issues relating to humor Offers an enlightening and accessible foray into the serious business of humor Reveals how standard theories of humor fail to explain its true nature and actually support traditional prejudices against humor as being antisocial, irrational, and foolish Argues that humor’s benefits overlap significantly with those of philosophy Includes a foreword by Robert Mankoff, Cartoon Editor of The New Yorker
This book presents an original worldview, Homo risibilis, wherein self-referential humor is proposed as the path leading from a tragic view of life to a liberating embrace of human ridicule. Humor is presented as a conceptual tool for holding together contradictions and managing the unresolvable conflict of the human condition till Homo risibilis resolves the inherent tension without epistemological cost. This original approach to the human condition allows us to effectively address life’s ambiguities without losing sight of its tragic overtones and brings along far-ranging personal and social benefits. By defining the problem that other philosophies and many religions attempt to solve in ...
An examination of the meaning of meaninglessness: why it matters that nothing matters. When someone is labeled a nihilist, it's not usually meant as a compliment. Most of us associate nihilism with destructiveness and violence. Nihilism means, literally, “an ideology of nothing. “ Is nihilism, then, believing in nothing? Or is it the belief that life is nothing? Or the belief that the beliefs we have amount to nothing? If we can learn to recognize the many varieties of nihilism, Nolen Gertz writes, then we can learn to distinguish what is meaningful from what is meaningless. In this addition to the MIT Press Essential Knowledge series, Gertz traces the history of nihilism in Western phil...
This yearbook, the sole publication of its kind, addresses the contemporary interest in the philosophy of humor. It invites philosophers from various traditions to share studies of humor, laughter, and the comic, and their roles (e.g., epistemological, ethical, aesthetic) within the history and practice of philosophy. It publishes not only scholarly articles of the highest quality, but also humorous or satirical pieces of philosophic interest.
This book combines two shorter works by Rosset, Le Principe de Cruaute and La Force Majeure, dating respectively from 1983 and 1988. The two works provide essential and highly topical illustrations of Rosset's central thesis of acceptance of the real. Rosset formulates a philosophical practice that refuses to turn away from the world and thus accepts a confrontation with reality (termed "the real") whose immediacy comprises equal parts of violence and of "joy," or approbation of the real. Beginning with this notion of joy, Rosset offers a reinterpretation of Nietzsche that, rather than treating the philosopher as a nihilist, underscores his quest for experience without illusion.