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Cinematic Nihilism
Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centipede , this book re-emphasises the constructive potential of cinematic nihilism.
The Path of Philosophy: Truth, Wonder, and Distress
The Path of Philosophy introduces college students to the study of philosophy through a compelling narrative in which the world's most important philosophers appear as characters. Framed by the concept of Wondrous Distress, the text traces the history of western philosophy from its beginnings in ancient Greece to contemporary developments in the modern world. Threads running through the text demonstrate how philosophy is unique and distinct from religion and science, while at the same time showing how all three disciplines are interrelated. Exceptionally well written, and unusual in its cohesiveness, the text leaves readers with a vivid picture of philosophy as a unique and important field of study. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Laughing at Nothing
Disputing the common misconception that nihilism is wholly negative and necessarily damaging to the human spirit, John Marmysz offers a clear and complete definition to argue that it is compatible, and indeed preferably responded to, with an attitude of good humor. He carefully scrutinizes the phenomenon of nihilism as it appears in the works, lives, and actions of key figures in the history of philosophy, literature, politics, and theology, including Nietzsche, Heidegger, Camus, and Mishima. While suggesting that there ultimately is no solution to the problem of nihilism, Marmysz proposes a way of utilizing the anxiety and despair that is associated with the problem as a spur toward liveliness, activity, and the celebration of life.
The Nihilist
It seems so important as you do what you do, But in times to come no one remembers you. Your actions are forgotten and your feelings destroyed. You've become one with the nihilist void. Inspired by real-life events, as well as by classic philosophical novels such as Jean-Paul Sartre's Nausea, Albert Camus' The Stranger, Yukio Mishima's Confessions of a Mask, and Chuck Palahniuk's Fight Club, The Nihilist tells the story of a philosophy professor caught in the grips of nihilistic despair. Following the death of his mother and the increasingly bizarre deaths of his closest friends, the nameless main character is afflicted with a mysterious malady that forces him to confront the absurdity of his own meaningless existence. Brain parasites, scatological dreams, punk rock, and spontaneous human combustion appear alongside the ideas of Heraclitus, Socrates, Diogenes, Schopenhauer, Nietzsche and Heidegger. The result is a wryly humorous philosophical allegory of hopelessness and resignation in the face of the void.
Why Can't Philosophers Laugh?
This book analyzes Western and Chinese philosophical texts to determine why laughter and the comic have not been a major part of philosophical discourse. Katrin Froese maintains that many philosophical accounts of laughter try to unearth laughter's purpose, thereby rendering it secondary to the intentional and purposive aspects of human nature that impel us to philosophize. Froese also considers texts that take laughter and the comic as starting points, attempting to philosophize out of laughter rather than merely trying to unearth reasons for laughter. The book proposes that continuously unraveling philosophical assumptions through the comic and laughter may be necessary to live well.
Philosophy, Humor, and the Human Condition
This book presents an original worldview, Homo risibilis, wherein self-referential humor is proposed as the path leading from a tragic view of life to a liberating embrace of human ridicule. Humor is presented as a conceptual tool for holding together contradictions and managing the unresolvable conflict of the human condition till Homo risibilis resolves the inherent tension without epistemological cost. This original approach to the human condition allows us to effectively address life’s ambiguities without losing sight of its tragic overtones and brings along far-ranging personal and social benefits. By defining the problem that other philosophies and many religions attempt to solve in ...
Who's Afraid Of... ?
Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of literary and cultural history. The topics include representations of political violence and political fear in English Renaissance culture and literature; dramatic representations of fear and anxiety in English Romanticism; the dramatic monologue as an expression of fears in Victorian society; cultural constructions of fear and empathy in George Eliot's Daniel Deronda (1876) and Jonathan Nasaw's Fear Itself (2003); facets of children's fears in twentieth- and twenty-first-century stream-of-consciousness fiction; the representation of fear in war movies; the cultural function of horror film remakes; the expulsion of fear in Kazuo Ishiguro's novel Never Let Me Go and fear and nostalgia in Mohsin Hamid's post-9/11 novel The Reluctant Fundamentalist.
Nihilism
An examination of the meaning of meaninglessness: why it matters that nothing matters. When someone is labeled a nihilist, it's not usually meant as a compliment. Most of us associate nihilism with destructiveness and violence. Nihilism means, literally, “an ideology of nothing. “ Is nihilism, then, believing in nothing? Or is it the belief that life is nothing? Or the belief that the beliefs we have amount to nothing? If we can learn to recognize the many varieties of nihilism, Nolen Gertz writes, then we can learn to distinguish what is meaningful from what is meaningless. In this addition to the MIT Press Essential Knowledge series, Gertz traces the history of nihilism in Western phil...
Dharma of the Dead
With the increased popularity of zombies in recent years, scholars have considered why the undead have so captured the public imagination. This book argues that the zombie can be viewed as an object of meditation on death, a memento mori that makes the fact of mortality more approachable from what has been described as America’s “death-denying culture.” The existential crisis in zombie apocalyptic fiction brings to the fore the problem of humanity’s search for meaning in an increasingly global and secular world. Zombies are analyzed in the context of Buddhist thought, in contrast with social and religious critiques from other works.
Humor and the Good Life in Modern Philosophy
An exploration of philosophical and religious ideas about humor in modern philosophy and their secular implications. By exploring the works of both Anthony Ashley Cooper, Third Earl of Shaftesbury, and Søren Kierkegaard, Lydia B. Amir finds a rich tapestry of ideas about the comic, the tragic, humor, and related concepts such as irony, ridicule, and wit. Amir focuses chiefly on these two thinkers, but she also includes Johann Georg Hamann, an influence of Kierkegaards who was himself influenced by Shaftesbury. All three thinkers were devout Christians but were intensely critical of the organized Christianity of their milieux, and humor played an important role in their responses. The author examines the epistemological, ethical, and religious roles of humor in their philosophies and proposes a secular philosophy of humor in which humor helps attain the philosophic ideals of self-knowledge, truth, rationality, virtue, and wisdom, as well as the more ambitious goals of liberation, joy, and wisdom.
