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The John McKay Clan
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McKay
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The Road Dance
The bond between a mother and her child is the strongest in the natural world. So why would a young woman, dreaming of America, throw her newborn baby into the waves of the wild Atlantic ocean? Life in the Scottish Hebrides can be harsh - 'The Edge of the World' some call it. For Kirsty MacLeod, the love of Murdo promises a new life away from the scrape of the land and the repression of the church. But the Great War looms and the villages hold a grand Road Dance to send their young men off to battle. As the dancers swirl and sup, Kirsty is overpowered and raped by an unknown assailant. She hides her dark secret, fearful of what it will mean for her and the baby she is carrying. Only the embittered doctor, a man with a cold wife and a colder bed, suspects. On a fateful day of surging seas and swelling pain Kirsty learns that her love will never be back. Now she must make her choice and it is no choice at all. And the hunt for the baby's mother and his killer become one and the same.
Sovereign of the Seas 1637
Sovereign of the Seas was the most spectacular, extravagant and controversial warship of the early seventeenth century. The ultimate royal prestige project, whose armament was increased by the King's decree to the unheard-of figure of one hundred guns, the ship finally cost the equivalent of ten more conventional warships. In this book, John McKay sets out to analyze the data and reconstruct the design and appearance of the ship in a degree of detail never previously attempted. The results are presented as a folio of superbly drafted plans, isometric drawings and colored renderings, covering every aspect of the design from the hull form to the minutiae of sails and rigging.
Home
Built for the new age, the house stood boldly upright on the edge of the ocean withstanding the harsh blasts of a cruel century, nurturing and protecting the family within, watchful of hearts swollen or broken, dreams delivered and dashed. It had absorbed the tears and echoed the laughter. A sweeping saga of one family through a momentous century. Different people, divergent lives and distinctive stories. Bound together by the place they called home. But one of them is missing, lost to the world. An unknown grandchild, born to a son who went to war and never came back. As the years pass, through wars and emigration, social transformation and generational change, the search continues. And the questions remain the same: who is he? Where is he? Will he ever come home?
The 100-Gun Ship Victory
Forever associated with Nelson's last battle, HMS Victory is one of the most famous ships of all time, and is now preserved at a museum in Portsmouth. This book presents a full description of the ship and her position in the development of the First Rate.
Dziga Vertov
For 60 years, the Soviet filmmaker Dziga Vertov, creator of the famed Man with a Movie Camera (1929), has been recognized as a founding figure of documentary, avant-garde, and political-propaganda film. This book addresses Vertov's formative years in prerevolutionary and Soviet Russia, alongside his interests in music, poetry and technology.
Notes of a Newsman
As a young reporter John MacKay took the first calls on the Lockerbie Bombing. As a news anchor he conducted the final TV interviews of the Yes and No campaigns in Scotland's Referendum. His journey in journalism has taken him to the key events through the most dramatic decades of Scotland's peacetime history. Using contemporary scripts, transcripts of significant interviews, diaries and recollections, he charts Scotland's transformation as a society and as a nation.
The Armed Transport Bounty
An account of the purchase by the Navy of the merchant vessel Bethia and her subsequent conversion into a naval transport The Bounty, as she was renamed, was made eternally famous by the mutiny against Captain Bligh in 1789.
REPORT OF REV JOHN MCKAY COLOR
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
