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Digital, Class, Work
Explores the changing nature of digital labour and work both before and during the Covid-19 pandemic
Realism Discourse and Deconstruction
The book addresses such issues as the work of Derrida and deconstruction, discourse theory, Eurocentrism and poststructuralism.
Essays Presented to Michael Roberts
'A list of the principal writings of Michael Roberts', p.179-183.
Digital Publics
Today we often hear academics, commentators, pundits, and politicians telling us that new media has transformed activism, providing an array of networks for ordinary people to become creatively involved in a multitude of social and political practices. But what exactly is the ideology lurking behind these positive claims made about digital publics? By recourse to various critical thinkers, including Marx, Bakhtin, Deleuze and Guattari, and Gramsci, Digital Publics systematically unpacks this ideology. It explains how a number of influential social theorists and management gurus have consistently argued that we now live in new informational times based in global digital systems and new financial networks, which create new sbjectivities and power relations in societies. Digital Publics traces the historical roots of this thinking, demonstrates its flaws and offers up an alternative Marxist-inspired theory of the public sphere, cultural political economy and financialisation. The book will appeal to scholars and students of cultural studies, critical management studies, political science and sociology.
The Chief
An incisive biography of the Supreme Court's enigmatic Chief Justice, taking us inside the momentous legal decisions of his tenure so far. John Roberts was named to the Supreme Court in 2005 claiming he would act as a neutral umpire in deciding cases. His critics argue he has been anything but, pointing to his conservative victories on voting rights and campaign finance. Yet he broke from orthodoxy in his decision to preserve Obamacare. How are we to understand the motives of the most powerful judge in the land? In The Chief, award-winning journalist Joan Biskupic contends that Roberts is torn between two, often divergent, priorities: to carry out a conservative agenda, and to protect the Court's image and his place in history. Biskupic shows how Roberts's dual commitments have fostered distrust among his colleagues, with major consequences for the law. Trenchant and authoritative, The Chief reveals the making of a justice and the drama on this nation's highest court.
Action Has No Season
This is a must read for leaders and entrepreneurs; an amazing book of proverbs for decision-making. Taking "action" is the central theme, but the book guides the reader to mine for nuggets of wisdom which will facilitate one's growth and development throughout life."
The Aesthetics of Free Speech
The Aesthetics of Free Speech: Rethinking the Public Sphere is one of the first books to theoretically explore the relationship between free speech and the public sphere. By drawing upon Marxist theory the author, John Michael Roberts, demonstrates how liberal theorists frequently construct an abstract aesthetic of 'rational', 'cultivated' and 'competent' discussion which then serves as a norm through which certain utterances can be humiliated and excluded from participating fully within the public sphere. However, the author also shows how excluded utterances develop their own aesthetic of free speech and how this aesthetic then comes back to haunt the bourgeois public sphere.
The Long Depression
Setting out from an unapologetic Marxist perspective, The Long Depression argues that the global economy remains in the throes of a depression. Making the case that the profitability of capital is too low, and the debt built up before the Great Recession too high, leading radical economist Michael Roberts persuasively presents his case that this depression will persist until the profitability of capital is restored through yet another slump.
The Snippy World of New Yorker Fashion Artist Michael Roberts
"Michael Roberts is the Jean Cocteau of the fashion world," wrote the celebrated New Yorker editor Tina Brown in 1997, welcoming her new fashion editor to the most prestigious magazine in the world. Having already served for many years as a style editor (The London Sunday Times, Vanity Fair) and having produced numerous illustrations, photographs, paintings and columns of fashion criticism for various media, Roberts had already had his name coupled with Cocteau's, but his striking visual style is collected here for the first time. From evocative pen-and-ink sketches to acrylic paintings to intensely witty New Yorker covers created from cut paper, these works capture the fads, foibles and fas...
