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Members of England's Arvon Foundation offer both beginning and established writers tips for improving creative writing through organization, revision, self-evaluation, development of ideas, and the use of images
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How many times have you heard that creative writing programmes are factories that produce the same kind of writers, isolated from real life? Only by escaping academia can writers be completely free. Universities are profoundly conservative places, designed to favour a certain way of writing-preferably informed by literary theory. Those who reject the creative/ critical discourse of academia are the true rebels, condemned to live (or survive) in a tough literary marketplace. Conformity is on the side of academia, the story goes, and rebellion is on the other side. This book argues against the notion that creative writing programmes are driven by conformity. Instead, it shows that these progra...
What do we mean by the word imagination? Does it just refer to our powers of invention and ingenuity, or might it have a larger visionary scope and purpose? Might it be vital to a vital life? What about the creative process itself: how does it work, in what circumstances does it flourish, and what conditions hinder or repress its activity? These and related themes are explored, often in unexpected and provocative ways, in this inspirational collection of essays, poems and reflections.The book takes its title from the opening essay, The Gist of Arvon, in which John Moat reflects with characteristic humanity, vigour and wit on the wider implications of the original vision and sense of purpose,...
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