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Bywgraffiad sy'n cynnig darlun o fywyd a gwaith John Morris-Jones (1864-1929), ysgolhaig, beirniad llenyddol a bardd a fu'n ffigur dylanwadol yn ei ddydd. Ar ol cyfnod ym Mhrifysgol Rhydychen yn dilyn cwrs gradd mewn Mathemateg, dechreuodd ymddiddori yn y Gymraeg, gan sicrhau, maes o law, swydd Athro yn y Gymraeg yng Ngholeg Prifysgol Bangor.
The Life and Letters of Father John Morris is an unchanged, high-quality reprint of the original edition of 1896. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Is Dai Morris a brutal murderer or the victim of a terrible miscarriage of justice? Author and former solicitor John Morris investigates the Clydach murders, which occurred in 1999, for which Dai Morris was convicted in 2006. In a case which shocked the country Mandy Power, her bed-ridden mother and her two young daughters were battered to death. The crime sparked a huge investigation yet the police made little progress. This widely researched book contends that Morris, convicted for the murders in 2006, is a scapegoat, an innocent man against whom justice was miscarried. No forensic evidence or DNA connected him to the crime; he was convicted because he lacked of a solid alibi, because his ...
Radical domestic politics, musical experimentation, advancing technology and the influence of migration from Europe and Britain's enrichment from it, all had their affects on a remarkable year in musical cultural life in the mid-30s. This book looks at the little-known aspect of music and politics in domestic Britain in 1934, a pivotal year in terms of political and cultural developments. Music and Politics in Thirties Britain focuses on the production, reception and interpretation of classical music in relation to the changes of the 1930s. John Morris treads new ground by examining the relationship between music, musicians and fascism – an area overlooked by existing scholarship. The book expertly traces the complexities and contradictions of British music history in the 1930s as musicians like others in the Arts attempted to engage with the political turmoil of the period. John Morris exemplifies the “cultural turn” in studies of British fascism, and also shows the overlap between ideas of the BUF and more progressive musicians. The result is a stimulating addition to existing scholarship which will be of interest to scholars and students alike.
To tread the path that Alice feared... St John Morris likes to explore. Except the frontiers he challenges are not those of the jungles or the seas, nor even the outer reaches of space. Those paths are well trodden now. St John Morris likes to explore the last of the great territories, the ones we all fear, the ones we stumble upon then retreat lest we never find our way back. St John likes to explore the inside of his head. But this time he may have gone too far and like Alice before him, he faces a bewildering world with no apparent way home. Tempted into this world not by the entreaties of a White Rabbit but by his psychologist, St John encounters an increasingly bizarre world where television celebrities hold the threads of Atropos and the devil demands poetry for safe passage. On a fantastical cruise ship he encounters a spade that demands he dig and this just may be the final route into the very darkest regions of the human mind. St John Morris presents us with a profoundly dense and visceral vision of the world inside the unconscious mind. Lewis Carroll opened the doors, Aldous Huxley forced them open and now St John Morris pushes deeper into the comedy of madness.
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