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Red Rebels
In 2004, Manchester United could proclaim itself the richest football club in the world, and boasted global commercial appeal alongside more than a decade of success on the pitch. In early 2005, American businessman Malcolm Glazer targeted a leveraged takeover of the club, and it looked set to be plunged into record levels of debt. The fans were furious. If the deal went wrong, it would threaten United's very existence, whilst the Glazers would be able to walk away without it having cost them a cent. Protests in the stands fell on deaf ears – it became increasingly clear that marches and placards wouldn’t make any difference to the Glazer family. In May 2005 the takeover went ahead. In r...
Hegel's Dialectic of Desire and Recognition
This book presents three generations of German, French, and Anglo-American thinking on the Hegelian narrative of desire, recognition, and alienation in life, labor, and language—a narrative that has been subject to extensive commentary in philosophy, literature, psychoanalysis, and feminist thought. The texts focus on a central topos in Western thought, the story of self-consciousness awakened in nature and in history. John O'Neill argues that current postmodern rejections of the Hegelian-Marxist narrative demand an understanding of the texts included here. Without Hegel and Marx in our toolbox, he argues, we will flounder in a world marked by the split between postmodern indifference and ...
Deepest Red
Deepest Red is a unique collection of writing about the myth, madness, and glory that is Manchester United. Bringing together writers, bloggers and journalists to provide fresh insight into the club's history, this anthology pinpoints the defining moments that have created a global legend. From Sir Matt to Sir Alex; from standing on the Stretford End to dancing a jig in the Camp Nou; from The Babes to the Golden Generation, these are the stories that matter about the world's most famous football team.
Something of Me
In this lively autobiography, popular historian Paul O'Neill looks back on his salad days in the 1940s and early 50s. O'Neill's childhood in the small outport of Bay de Verde was filled with 'outharbour delights' while his star-struck teen years were spent in wartime St. John's, a city he grew to love like no other. At nineteen O'Neill left Newfoundland to train as an actor in New York, after which he toured all over America as part of a professional troupe. From there, he went to England, scrambling to make a living on stage and screen and having the time of his life. At twenty-three, he returned to Canada's newest province for a visit, but instead landed what turned out to be a lifelong job writing and producing television programs for CBC. This charming and enthusiastic memoir brings back the music, the movies and the mores of that era.
Keeping a Family Cow
The cow is the most productive, efficient creature on earth. She will give you fresh milk, cream, butter, and cheese, build human health and happiness, and even turn a profit for homesteaders and small farmers who seek to offer her bounty to the local market or neighborhood. She will provide rich manure for your garden or land, and will enrich the quality of your life as you benefit from the resources of the natural world. Quite simply, the family that keeps a cow is a healthy family. Originally published in the early 1970s as The Cow Economy and reprinted many times over, Keeping a Family Cow has launched thousands of holistic small-scale dairy farmers and families raising healthy cows in a...
Netherland
In early 2006, Chuck Ramkissoon is found dead at the bottom of a New York canal.
Elton John by Terry O Neill
"Looking at Terry's photographs is like gazing through a window at the most extraordinary and exciting moments of my life. I'm so glad he was with us throughout the madness: in his evocative and stylish photos he captured those moments as no other photographer could." - Elton John Elton John and iconic photographer Terry O'Neill worked together for many years, taking in excess of 5,000 photographs. From intimate backstage shots to huge stadium concerts, the photographs in this book represent the very best of this archive, with most of the images being shown here for the first time. O'Neill has drawn on his personal relationship with Elton John to write the book's introduction and captions.
O'Neill
The most lauded playwright in American history, Eugene O'Neill (1888-1953) won four Pulitzer Prizes and a Nobel Prize for a body of work that includes The Iceman Cometh, Mourning Becomes Electra, Desire Under the Elms, and Long Day's Journey into Night. His life, the direct source for so much of his art, was one of personal tumult from the very beginning. The son of a famous actor and a quiet, morphine-addicted mother, O'Neill had experienced alcoholism, a collapse of his health, and bouts of mania while still a young man. Based on years of extensive research and access to previously untapped sources, Sheaffer's authoritative biography examines how the pain of O'Neill's childhood fed his desire to write dramas and affected his artistically successful and emotionally disastrous life.
At Swim, Two Boys
Two young men, Jim, the naive, scholarly son of a Dublin shopkeeper, and Doyler, a rough working boy, struggle with issues of political, religious, and sexual identity in the year leading up to the Easter uprising of 1916.
Teenage Kicks: My Life as an Undertone
Michael Bradley joined his school friend's group in Derry, Northern Ireland in the summer of 1974. They had two guitars and no singer. Four years later the Undertones recorded 'Teenage Kicks', John Peel's favourite record, and became one of the most fondly remembered UK bands of the post punk era. Sticking to their punk rock principles, they signed terrible deals, made great records and had a wonderful time. They broke up in 1983 when they realised there was no pot of gold at the end of the rock and roll rainbow. His story is a bitter-sweet, heart-warming and occasionally droll tale of unlikely success, petty feuding and playful mischief during five years of growing up in the music industry. Wiser but not much richer, Michael became a bicycle courier in Soho after the Undertones split. "Sixty miles a day, fresh air, no responsibilities," he writes. "Sometimes I think it was the best job I ever had. It wasn't, of course."
