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With the paranormal becoming so mainstream in the last decade between television, books, and movies, is the craze actually brand new? Before there was the entertainment industry that we know of today, plays and musicals were one of the primary forms of expression and reflections of society's beliefs of their time. This book will cover an analysis of the belief in the supernatural throughout the course of humanity's existence and showing that in a way, the paranormal has always been normal. Using elements of theatre as the research vehicle, as well as establishing the relationship between acting and the unknown, this book examines the rich relationship between theatre and the paranormal. Finally, this book will challenge the reader to consider the possibility of using theatre as a method for researching and investigating the paranormal. Readers will be asked to consider what would happen if investigators and "ghost hunters" took on the role of an actor and the haunted location becomes a performance space, thus welcoming communication and activity from the other side.
Publisher Description
Something went terribly wrong at his monastery, and Brendan the Navigator had nowhere to turn. Then a storyteller dropped by his cell at Clonfert Abbey one evening. This fortunate visit changed his life and the lives of seventeen monks who set out with him to brave the unknown Atlantic. Sailing first to the Faroe Islands, they found an Eden-like world, including a guide, a friendly whale, and psalm-loving birds. Eventually they reached the Canary Islands, the Caribbean, the waters off Labrador, and the world's northernmost volcano, Mt. Beerenberg. This was the first European voyage to the Americas, recorded as a story so true it could only become a legend and then a fairy tale to all but a few. What these Irish voyagers found was a pristine world, filled with paradises. The stories they told and songs they sang give us a precious and rare insight into the Dark Ages and a Church scattering through all the world, as commanded. These stories were written down for school children, but they forever sing in the hearts of all who read them.
Contains the list of accessions to the library, formerly (1894-1909) issued quarterly in its series of "Bulletins."
During his early years, Franz Liszt worked as a traveling piano virtuoso, his adventures highlighted by his entrée into the literary world as a correspondent for the most popular French journals of his time. In this second volume of Janita Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt’s work as a music essayist and journalist is on full display. In his essays, readers will see the influence of the revolutionary theories of Hugues-Felicité Robert de Lamennais, Victor Hugo, and François-René de Chateaubriand as Liszt boldly calls for social reforms on behalf of musicians and musical institutions, from demands for a repertoire of church music of divine praise to the timely...
Women played an integral role in the theater of the Antebellum and Civil War South. Yet their contributions have largely been overlooked by history. Southern actresses were important public figures who helped mold gender identity through their theatrical performances. Although cast in parts written by men, they subverted the norms of femininity in their public personas and in their personal lives. Educated and often wealthy but never accepted by the landed elite, women distinguished themselves by carving out an in-between class status, and many proved to be sophisticated entrepreneurs. Southern actresses also helped shape racial perceptions and regional politics as the South entered the Civil War.