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The first book to explore how the history of Wales and the Welsh has been written over the past fifteen hundred years, analysing and contextualizing historical writing, from Gildas in the sixth century to recent global approaches, to open new perspectives both on the history of Wales and on understandings of Wales and the Welsh.
Why would the sprawling thirteenth-century French prose Lancelot-Grail Cycle have been attributed to Walter Map, a twelfth-century writer from the Anglo-Welsh borderlands known for his stinging satire, religious skepticism, ghost stories, and irrepressible wit? And why, though the attribution is spurious, is it not, in some ways, implausible? Joshua Byron Smith sets out to answer these and other questions in the first English-language monograph on Walter Map—and in so doing, he offers a new explanation for how narratives about the pre-Saxon inhabitants of Britain, including King Arthur and his knights, first circulated in England. Smith contends that it was inventive clerics like Walter, a...
Revisionist approach to the question of the authenticity - or not - of the documents in the Book of Llandaf.
Balanced coverage of whole history of Christianity in Wales, paying as much attention to earlier periods as the better-known later ones. A contemporary view of the subject, incorporating the latest scholarly research in an accessible and readable form. Guides to further reading specifically aimed at navigating students and others through what they should read after this book.
The essays collected here consider the changes and development of Scotland at a time of considerable flux in the 12th and 13th centuries.
• This book is the first multi-authored work on Gerald of Wales • It has a cross-disciplinary approach bringing together a variety of voices and perspectives • Includes rare focus on his lesser-studied works • This broader view provides a fuller context for Gerald’s more popular/better-studied works
This book shows how depictions of etymology were used by twelfth-century poets, translators, bureaucrats and historians to portray Britain's past.
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This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and...